There will be no “Oscars So White” at the Oscars this February.
After two years of no recognition for anyone in the black community who make movies, it was as if Denzel Washington just said “Ok, I will put a stop to that” and decided to direct Fences.
The movie is based on the play by the late August Wilson (who had worked on the screenplay before his death in 2005). After he won a Tony Award for his role, Washington brings his Troy Maxson to the big screen. Troy is a garbage man who works during the 1950s alongside his best friend Jim Bono (Stephen McKinley Henderson). Married to his wife Rose (Viola Davis, who also starred with Washington on stage), he has two sons, Lyons (Russel Hornsby) and Cory (Jovan Adepo). Lyons is a struggling musician, who does seem to come by to ask his old man for ten dollars on every one of his dad’s pay days. Cory is finishing High School, hoping to play on a football scholarship, which Troy is against. There is also Troy’s brother Gabriel (Mykelti Williamson), who suffered a brain injury during the war.
All the acting is stellar. Once again Denzel Washington gives us more reason to believe why he is one of the most talented actors to grace the silver screen. This performance ranks up with some of the best work that he has ever done. As I was watching him, I realized you could take any thirty seconds out of his performance, and it would be able to be used for him when announcing him as a Best Actor nominee (which it is pretty much impossible for him not to be).
There are secrets that are exposed, things that are brought out into the light, and all of this is handled so well we forget who the actors are. We don’t sense “Oh look, Viola Davis is acting right now.” We sense that Rose is expressing herself and showing us pain that we hope no one else has to go through (though sadly some do). This may finally be the chance Davis gets at winning an Oscar, and it will be well deserved.
Parents, I am glad to say the movie is PG-13, and for the right reasons. There is swearing, but it is mainly for the thematic material in the film (there is no sexuality, but some suggestive talk). I would say mature middle schoolers and up.
One thing about Washington’s performance is that it is so great we forget he directed the film as well. There is certainly a sense that the movie feels almost like a play, but a movie at the same time. While the movie is not perfect (it drags a little at times, mainly at the end), it is certaintly one of the best movies of 2016.
Overall: Four and a Half Stars ****1/2