The suspense that is haunting me after seeing The Snowman is not from the story. It is wondering how in the name of all that is sacred did so many talented people make this utter piece of crap? I would rather shovel snow with plastic sandwich bags as boot replacements (and I live in the suburbs of Chicago). The film does give you chills, but far from the positive kind.
There are going to be a lot of names I mention that will make you realize how disappointing this movie truly is. Unlike the victims in the movie, these Hollywood talents will have their careers survive, but it will leave scars. Executive Producer Martin Scorsese (yep, you heard right) and director Tomas Alfredson (who made that timeless vampire movie Let the Right one in in 2008 and Tinker Tailor Soldier Spy three years later) give us a movie that is grubby, drabby (not sure if that is a word, but it fits the movie), and muddled. Alfredson himself said the movie was rushed, and that up to 15% of the script was not even shot. I guess that figures out correctly, though to call the script loose is an understatement: I don’t think any screws were used at all to secure it.
It truly seemed like the talented Michael Fassbender was mopey the entire time. He stars as Harry Hole (I am all about character names where they have the same letter for first and last name, but his just seems weird), who I believe is a detective of some kind in Norway (which I did not know until I looked it up). There is a killer on the loose who is always ahead of Hole, leaving Snowmen at the scene of the crime. We also know that, as a child, he mother committed suicide by driving out on a frozen lake and waiting for the ice to crack.
Hole is also accompanied by Katrine Bratt (Rebecca Ferguson, who was in another bad movie earlier this year, Life). Whether it be as a team or as potential lovers, chemistry is completly absent. Hole also has an ex girlfriend (I think? the relationships were hard to follow) Rakel (Charlotten Gainsbourg) who has a son named Oleg (Michael Yates) who Harry is trying to be a father to (though he is not, I don’t think). Even Mathias (Jonas Karlsson), Rakel’s current boyfriend, is cool with Harry.
There are other subplots that are completely obscure. I am a big fan of J.K. Simmons, but his character, Arve Stop, adds nothing to the movie at all. It also hurt to see that his accent was just atrocious. Another character that is borderline laughable is Rafto. He is played by Val Kilmer. His character is told in flashbacks, but he is supposed to be a myth in the business of the police. Had Kilmer been given enough to work with (which he is given the equivalent of a teaspoon of sugar), he may have had something. It also does not help that Kilmer seems to have been dubbed horribly (I do know the actor recently had battled cancer, so if that is the reason, then I obviously would not fault him at all. There is also Chloe Sevigny as twins, because…….um, well, it does something for the story I guess. Seriously, these great actors are just left out to dry.
Parents, there is some swearing, a bit of nudity (the Simmons character was almost borderline Harvey Weinstein which thankfully did not happen), and a lot of violence. I say High School and above. The IQ level you need, however, is anywhere above 10.
Even the editor, Thelma Schoonmaker, is a victim of The Snowman. She has worked on Scorsese masterpieces (Goodfellas and Raging Bull, just to name some). Being show in snowy landscapes, there are maybe one or two nice looking shots that got my attention, but that is it. I mean, seriously. The only thing worse than a bad movie is a bad movie made by talented people. The Snowman is a movie that can be used to blackmail movie lovers (let alone critics), sending shivers down the spine.
There is still the worst movie sin that The Snowman does commit.
One that no movie, never, ever, should.
Being utterly boring.
Overall: One Star *