I have to confess that the older I get, the more cynical I appear when friends tell me about movies I should see. It is not that I don’t care about other opinions or tastes. It is more that I know my knowledge and expertise at cinema is more than likely more evolved than that of a normal movie goer (or fanboy/fangirl). That being said, a lot of times when people offer me suggestions on films, I may reply that I have not seen them.
“What? I thought you were a movie guy! This movie is a classic! A great movie.”
(I often think to myself if they sometimes know what the term “classic” means, but never mind).
This leads us to Ip Man (2008), a movie that tells the story of the title character (played by Donnie Yen, who, pardon the pun, gives a near knockout performance) that, before seeing the movie, I thought was just some lame title for an asian superhero who was really good at martial arts. I was wrong. There was no way I would go into this movie knowing it was actually based on a real life person who would eventually train the legendary Bruce Lee.
The story takes place in 1930s China, where Ip Man and his wife Cheung (Lynn Hung) live in somewhat blissful harmony along with his young son. There are a number of Martial Arts schools in the village, but none can compare to Ip Man (how else to explain a guy who can knock the holster out of the revolver with one finger?) The film starts out with one master trying to fight Ip Man, but to no avail.
The one thing that Ip Man does not appear to have a love for is teaching, despite all the young men wanting to learn. Even the Northerners who rudely come in, trying to showboat their skills, are no match.
The movie eventually shows us the invasion of Japan in 1937, leading to even Ip Man having to find work shoveling coal. Eventually, the Japanese General Miura (Hiroyuki Ikeuchi), a fan of martial arts, wishes to fight Ip Man after seeing him in action.
Now let us talk about the action in this film. There is no secret that Hollywood is known for making countless (and I mean countless) number of movies that rely on special effects (which is what most people want to see). While I am not saying the artists that make special effects are not talented, it is clear that fight scenes such as those in Ip Man are much more appreciated. It gave me the feeling I had when I watch legendary dance choreography from the likes of Fred Astaire or Gene Kelly. The scenes are so intimate that you just know those fighting are trusting the others not only with the movie, but their own lives.
Parents, the movie is rated R, but is one I think could be easily ok for kids in the PG-13 range. There is no sexual content (the only nudity is of a young man’s rear end that is played for laughs, lasting only about two seconds). The swearing is not very heavy (at least that much more than a PG-13 action flick). It is mainly the violence, which is no more so than that you would find on TV shows nowadays. Middle School and above.
Possibly the most surprising thing about Ip Man is that the makers knew not to rely heavily on the fight scenes. They use it mainly to enhance the story, which is what all good film makers do. Ip Man already has two sequels (another is in the works), and I plan on watching them right away.
Overall: Four Stars