The Top 20 Movies of 2017

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Even with 20, these films did not make the cut.

Ladies and gents, this is the moment you’ve waited for.

 

I went back and forth as to whether make the traditional top ten, or go with twenty. I decided on the latter for a few reasons. First, in a great year for movies, there were too many to ignore (and even at twenty, films such as Wonder Woman, Detroit, Mudbound, and Darkest Hour did not make it). Second, so what if I added more than ten? If you really want see just the top ten, here is a trick: skip down to number ten, and go from there (though you will be missing a lot of great films along the way).

 

20.

The Disaster Artist.JPG

“YOU’RE TEARING ME APART LISA!!!”

 

A passion project for director/actor James Franco, The Disaster Artist tells the tale of another passion project (and cult favorite), The Room. Franco is so wonderful in the role of the aloof Tommy Wiseau that it goes beyond comedy and becomes very human. It truly tears you apart!

 

19.

Molly's Game

Jessica Chastain, fantastic as Molly.

 

Renowned screenwriter Aaron Sorkin’s directorial debut, Molly’s Game, is full of electricity. As always, his dialogue snaps like fire crackers, no doubt due to the wonderful casting of greats such as Jessica Chastain and Idris Elba.

 

18.

Faces Places

JR and Agnes Varda, on a quest you have not seen before.

The most recent film I have seen as of this writing, Faces Places is the unique documentary about legendary french film maker Agnes Varda and her friend JR (whose eyes she has never seen). They go around meeting people as they post big pictures of their subjects on vast walls. As in all great films, it goes far beyond that. It reminded me a lot about Errol Morris’s masterpiece, Gates of Heaven.

 

17.

Logan Lucky

No peaking!

Even with an all-star cast including Channing Tatum, Adam Driver, Hillary Swank, Seth Macfarlane, and (especially) Daniel Craig, a film like Logan Lucky could have gone wrong on so many levels. Thankfully, the script is so tight that every moment is real, authentic, and down right ludicrously hilarious.

 

16.

The Last Jedi

Sometimes, questions don’t need concrete answers.

A prime example of a movie you either love or hate, I am on the former when it comes to Star Wars: The Last Jedi. No, we did not get any “answers” to questions we may have had, but so what? It was a Star Wars film that gave us new twists and turns we had not seen before, plus was much better than the overrated Rogue One.

 

15.

Blade Runner 2049

Deckard returns.

From one sci-fi sequel to another, Blade Runner 2049 is full of a lot of questions that are also unanswered. What no one will question is the gorgeous scope of the film, thanks in part to cinematographer Roger Deakins (who may finally get his Oscar now).

 

14.

Logan

Logan and his daughter.

In one of the best years for superhero films, my pick still goes to Logan. A swan song of epic proportions, Hugh Jackman truly goes out swinging. Or clawing.

 

13.

 

The Post

Meryl Streep as Kay Graham, owner of The Post.

 

Even if the film was rushed, Steven Spielberg’s The Post has a fire burning in the soul, which shows in the cast led by Hollywood giants Meryl Streep and Tom Hanks. It is a movie that, had it not been made, I would not be reminded of the right I have to be typing these words in the first place.

 

12.

I Tonya

Just before the show, Robbie’s Harding is set to go…

How wickedly devilish is the film I, Tonya! So fun, and self-aware of itself, it gives a stellar Margot Robbie performance, and heaven knows how wonderful Allison Janney is as one of the worst mom’s in recent cinema history.

 

11.

Coco

Miguel’s passion for music knows no bounds…

As Miguel tugs at the guitar strings, so does Coco tug at our heart-strings. Which, by now, is totally the standard Disney/Pixar films have set for all animated films (and others in general).

 

10.

Lady Bird

Ronan as the title character.

One of the most original scripts in recent memory, Greta Gerwig’s Lady Bird is full of outstanding wit and charm. It is also more proof why Saoirse Ronan is truly one of the best actors of her generation.

 

9.

Wonder

The Wonder that is Jacob Tremblay.

Of all the movies I saw this year, I fought the hardest (okay, fought myself) for Wonder to be in the top ten. Based of the book of the same name (which I highly recommend), this wonderful fable of why it is important to #choosekind is something I cannot imagine parents not taking their kids to.

 

8.

Dunkirk

Many of the soldiers at Dunkirk

 

Very few, if any, director has a current positive track record than Christopher Nolan, and Dunkirk is no exception. Packed with more than enough tension and grit, it is as fitting a war film as they come.

 

7.

A Ghost Story.JPG

Time moves by in an instant for the ghost

At only around an hour and a half, few films of this (or any) year have given me more questions than that of A Ghost Story. Like a pool, you soak in it, look at the reflection, and see all the questions you want answered. Multiple viewings are needed, and are something I plan to do in the time I have left on earth.

 

6.

TBOEM

Mildred is a role only Frances McDormand could play

Another one of the most original scripts in years, Three Billboards Outside Ebbing, Missouri is a tough sit through at many times. Yet it has so much dark peppered humor and spot on performances (mainly McDormand, Woody Harrelson, and especially Sam Rockwell) it is hard to turn away.

 

5.

The Big Sick

A love story unlike any seen before

The true story of how one man met his wife, The Big Sick is still the best rom com I have seen in nearly a decade. All the actors are hilarious and convincing, and the writing is top-notch. I still can’t get over that 9/11 joke.

 

4.

The Florida Project

Bobby (Willem Dafoe), the hotel manager who is tough but kind-hearted.

I had never thought of what could be outside the walls of Disney World before I saw The Florida Project. I doubt I am alone. With some of the best acting from children you will see, and a sublime Willem Dafoe, the movie takes us to a place that has been under the shadows of Disney for far too long.

 

3.

Phantom Thread

DDL, the master at work

Like most, I had to wait nearly a month before I could see Phantom Thread, but it was far worth the wait. Daniel Day-Lewis gives (no surprise) a perfectly majestic performance as a dress-maker in 1950s London, whose new muse (Vicky Krieps) must put up with him. Director Paul Thomas Anderson treats the film as gentle as the fabric that Woodcock works with in his shop.

 

2.

The Shape of Water

Though mute, Eliza (Sally Hawkins) lets herself be heard.

Of all the love stories of this year, my favorite still goes to that of a mute help worker and a sea creature in The Shape of Water. Guillermo Del Toro gives us a world of endless possibilities, filled with memorable characters (don’t get me started on how much we love to hate Michael Shannon here), astounding visuals, and a love that is not easy to forget.

 

1.

IT

“Hello Georgie”

I can imagine a lot of people being surprised at my number one pick, but after more than one viewing, I just could not deny IT. Undoubtably one of the top four or five adaptations of Stephen King, the film is far more than a horror masterpiece. It is also about coming of age (I have yet to meet anyone who though negatively of the kid performances, all of whom are perfect in their roles), young love, bullying, and, of course, clowns.

Floating has never been so terrifying. Or enjoyable.

 

Blade Runner 2049 (2017)

 

Blade Runner 2049

One of many images that are entrancing in Blade Runner 2049

Despite some holes and question marks in the screenplay, Blade Runner 2049 still manages to be the best sci-fi sequel since 1991’s Terminator 2: Judgement Day. It is a movie that challenges the mind and brightens your eyes with some of the most gorgeous imagery of recent years. I have only seen the original once, but I know that I have to return to get some answers (though not all the questions will have them).

The plot is a lot harder to follow this time around, but not too terrible. Basically, the new Blade Runner in town is named “K” (Ryan Gosling). After reporting to his boss (Robin Wright, having a very decent year with this film and Wonder Woman) the discovery of a dead replicant who died giving birth to a child, he is sent out to erase the mistake and kill the child. As he digs deeper, he realizes he is more and more in danger. It eventually leads him to the Deckard (Harrison Ford).

I will stop there for two reasons: I don’t wish to ruin any plot points, and I am also afraid that I may have still misunderstood the plot. I can talk about a few other characters, however. Dave Bautista (Drax of Guardians of the Galaxy) is rather surprisingly subtle and reserved as a runaway replicant. The owner of the replicants is played by Jared Leto, proving to be a better villain (or is he?) than he was in Suicide Squad. One of my favorite performances came from Ana de Armas as Joi. Joi is basically Suri, but far more upgraded. She has been with K (who she now names Joe) for so long she is almost like a personal secretary. So lovely and ironic is it that she is one of the most human characters in the film.

Now we get to the visuals. They are, quite simply, marvelous and uncanny. It should come as no surprise, mainly thanks to two men. The first is director Denis Villeneuve (who recently was nominated for 2016’s Arrival). He knows how to pace the film at the right tempo: If you think there is not enough action in the film, you are not paying attention.

The second, and possibly most critical, is cinematographer and legend Roger Deakins. Here is hoping that his losing track record at the Oscars (0-13) might end next February. Watching the movie, I had that same feeling when watching films from Studio Ghibli. You could pause each shot, and look at them for hours. You know what? I take back what I said: Roger Deakins will win the long overdue Oscar, and will get a standing ovation.

Parents, even if you children may have seen the original, you should be warned that his film has a lot more nudity in it than the first one. While the only real sex is through blurry glass, there is still a bit of sound. Add in the swearing and (not so horrible) action/violence, and you have a movie for only High School and above.

I mentioned before that the plot does have some holes: one character clearly betrays another and then shows their utmost loyalty. Even so, this movie is worth seeing just for the visuals alone. They are haunting, spellbinding, breathtaking, cold,…seriously, words don’t do the visuals justice.

On the sights alone, Blade Runner 2049 is a movie that, once seen, is something we people will not believe.

 

Overall: Four Stars ****