Beautiful Boy (2018)

Beautiful Boy

The only thing nearly as strong as the father/son relationship is the chemistry of the actors.

 

I left Beautiful Boy with a decent amount of disappointment, mainly due to director Felix Van Groeningen, also a contributor to the screenplay. A lot of the story (especially the first half) is rather jumbled in the way of timelines. Yet that does not stop me from recommending the film.

The film tells the true story of Dave Scheff (Steve Carell), whose son Nic (Timothee Chalamet) has recently graduated High School yet dived into the world of drugs (mainly crystal Meth). He spends time between his dad’s house and his mom (Amy Ryan). His dad has remarried Karen (Maura Tierney), with whom he has two kids.

I mentioned before how the time lines are jumbled, since we see Nic at different stages in his life. It would be okay to show different times in Nic’s life, if it made sense to the viewer, which it sadly did not for me.

It is clear as day that the film’s saving grace is the acting. Regardless of screen time, every actor puts their best foot forward (even those in small roles like Oscar winner Timothy Hutton). Carrell first started out as a comedy actor (and still does so very well), yet he managed to cross the line into drama with such ease it is hard to sometimes remember we are looking at Michael Scott or Brick Tamland . His performance is (for the most part) very subtle and nuanced, playing a dad who clearly loves his son, even to the point that he would share a joint with him.

Chalemet is the stand out. He had a breakout year last year with his Oscar nominated work in Call me by your name as well as Lady Bird (both Best Picture nominees). When watching him in Beautiful Boy, it is hard to find any of those characters here. It is the true definition of sublime acting, proving he could very well be at the Oscars again soon.

Parents, the R rating is deserved. There is a good amount of swearing, plenty of thematic drug use, and one sex scene that seemed rather tacked on. High School and above.

There should be no doubt how troubling drug addiction (or any for that matter) is to a soul. Everyone in their life suffers as a result. This is one of the main things that make Beautiful Boy worth watching. That and the powerful performances. I only wish the approach was different.

Overall: Three Stars ***

The Top 20 Movies of 2017

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Even with 20, these films did not make the cut.

Ladies and gents, this is the moment you’ve waited for.

 

I went back and forth as to whether make the traditional top ten, or go with twenty. I decided on the latter for a few reasons. First, in a great year for movies, there were too many to ignore (and even at twenty, films such as Wonder Woman, Detroit, Mudbound, and Darkest Hour did not make it). Second, so what if I added more than ten? If you really want see just the top ten, here is a trick: skip down to number ten, and go from there (though you will be missing a lot of great films along the way).

 

20.

The Disaster Artist.JPG

“YOU’RE TEARING ME APART LISA!!!”

 

A passion project for director/actor James Franco, The Disaster Artist tells the tale of another passion project (and cult favorite), The Room. Franco is so wonderful in the role of the aloof Tommy Wiseau that it goes beyond comedy and becomes very human. It truly tears you apart!

 

19.

Molly's Game

Jessica Chastain, fantastic as Molly.

 

Renowned screenwriter Aaron Sorkin’s directorial debut, Molly’s Game, is full of electricity. As always, his dialogue snaps like fire crackers, no doubt due to the wonderful casting of greats such as Jessica Chastain and Idris Elba.

 

18.

Faces Places

JR and Agnes Varda, on a quest you have not seen before.

The most recent film I have seen as of this writing, Faces Places is the unique documentary about legendary french film maker Agnes Varda and her friend JR (whose eyes she has never seen). They go around meeting people as they post big pictures of their subjects on vast walls. As in all great films, it goes far beyond that. It reminded me a lot about Errol Morris’s masterpiece, Gates of Heaven.

 

17.

Logan Lucky

No peaking!

Even with an all-star cast including Channing Tatum, Adam Driver, Hillary Swank, Seth Macfarlane, and (especially) Daniel Craig, a film like Logan Lucky could have gone wrong on so many levels. Thankfully, the script is so tight that every moment is real, authentic, and down right ludicrously hilarious.

 

16.

The Last Jedi

Sometimes, questions don’t need concrete answers.

A prime example of a movie you either love or hate, I am on the former when it comes to Star Wars: The Last Jedi. No, we did not get any “answers” to questions we may have had, but so what? It was a Star Wars film that gave us new twists and turns we had not seen before, plus was much better than the overrated Rogue One.

 

15.

Blade Runner 2049

Deckard returns.

From one sci-fi sequel to another, Blade Runner 2049 is full of a lot of questions that are also unanswered. What no one will question is the gorgeous scope of the film, thanks in part to cinematographer Roger Deakins (who may finally get his Oscar now).

 

14.

Logan

Logan and his daughter.

In one of the best years for superhero films, my pick still goes to Logan. A swan song of epic proportions, Hugh Jackman truly goes out swinging. Or clawing.

 

13.

 

The Post

Meryl Streep as Kay Graham, owner of The Post.

 

Even if the film was rushed, Steven Spielberg’s The Post has a fire burning in the soul, which shows in the cast led by Hollywood giants Meryl Streep and Tom Hanks. It is a movie that, had it not been made, I would not be reminded of the right I have to be typing these words in the first place.

 

12.

I Tonya

Just before the show, Robbie’s Harding is set to go…

How wickedly devilish is the film I, Tonya! So fun, and self-aware of itself, it gives a stellar Margot Robbie performance, and heaven knows how wonderful Allison Janney is as one of the worst mom’s in recent cinema history.

 

11.

Coco

Miguel’s passion for music knows no bounds…

As Miguel tugs at the guitar strings, so does Coco tug at our heart-strings. Which, by now, is totally the standard Disney/Pixar films have set for all animated films (and others in general).

 

10.

Lady Bird

Ronan as the title character.

One of the most original scripts in recent memory, Greta Gerwig’s Lady Bird is full of outstanding wit and charm. It is also more proof why Saoirse Ronan is truly one of the best actors of her generation.

 

9.

Wonder

The Wonder that is Jacob Tremblay.

Of all the movies I saw this year, I fought the hardest (okay, fought myself) for Wonder to be in the top ten. Based of the book of the same name (which I highly recommend), this wonderful fable of why it is important to #choosekind is something I cannot imagine parents not taking their kids to.

 

8.

Dunkirk

Many of the soldiers at Dunkirk

 

Very few, if any, director has a current positive track record than Christopher Nolan, and Dunkirk is no exception. Packed with more than enough tension and grit, it is as fitting a war film as they come.

 

7.

A Ghost Story.JPG

Time moves by in an instant for the ghost

At only around an hour and a half, few films of this (or any) year have given me more questions than that of A Ghost Story. Like a pool, you soak in it, look at the reflection, and see all the questions you want answered. Multiple viewings are needed, and are something I plan to do in the time I have left on earth.

 

6.

TBOEM

Mildred is a role only Frances McDormand could play

Another one of the most original scripts in years, Three Billboards Outside Ebbing, Missouri is a tough sit through at many times. Yet it has so much dark peppered humor and spot on performances (mainly McDormand, Woody Harrelson, and especially Sam Rockwell) it is hard to turn away.

 

5.

The Big Sick

A love story unlike any seen before

The true story of how one man met his wife, The Big Sick is still the best rom com I have seen in nearly a decade. All the actors are hilarious and convincing, and the writing is top-notch. I still can’t get over that 9/11 joke.

 

4.

The Florida Project

Bobby (Willem Dafoe), the hotel manager who is tough but kind-hearted.

I had never thought of what could be outside the walls of Disney World before I saw The Florida Project. I doubt I am alone. With some of the best acting from children you will see, and a sublime Willem Dafoe, the movie takes us to a place that has been under the shadows of Disney for far too long.

 

3.

Phantom Thread

DDL, the master at work

Like most, I had to wait nearly a month before I could see Phantom Thread, but it was far worth the wait. Daniel Day-Lewis gives (no surprise) a perfectly majestic performance as a dress-maker in 1950s London, whose new muse (Vicky Krieps) must put up with him. Director Paul Thomas Anderson treats the film as gentle as the fabric that Woodcock works with in his shop.

 

2.

The Shape of Water

Though mute, Eliza (Sally Hawkins) lets herself be heard.

Of all the love stories of this year, my favorite still goes to that of a mute help worker and a sea creature in The Shape of Water. Guillermo Del Toro gives us a world of endless possibilities, filled with memorable characters (don’t get me started on how much we love to hate Michael Shannon here), astounding visuals, and a love that is not easy to forget.

 

1.

IT

“Hello Georgie”

I can imagine a lot of people being surprised at my number one pick, but after more than one viewing, I just could not deny IT. Undoubtably one of the top four or five adaptations of Stephen King, the film is far more than a horror masterpiece. It is also about coming of age (I have yet to meet anyone who though negatively of the kid performances, all of whom are perfect in their roles), young love, bullying, and, of course, clowns.

Floating has never been so terrifying. Or enjoyable.

 

Call Me by Your Name (2017)

Call me by your name

A “truce” is made between Elio (Timothee Chalamet) and Oliver (Armie Hammer)

It is truly risky to make a movie like Call Me by Your Name, especially in a year of talks of sexual misconduct coming out of Hollywood (as well as politics). Yet for the most part, the movie still seems to work.

If you have not heard of the movie, it tells the story of a seventeen year old boy named Elio (Timothee Chalamet) as he spends one summer in 1983 in his family’s villa in northern Italy. An only child, he spends most of his summer writing his own music, hanging with his girlfriend Marzia (Esther Garrel), swimming, and going out at night. He also will help his father (Michael Stuhlbarg), a professor of ancient roman history (I believe), on occasion. All this changes when a college graduate comes in to assist his father. He is Oliver (Armie Hammer), a kind-hearted young man who eventually forms a relationship with young Elio.

It is clear the film will not be for everyone, as Elio and Oliver do have more than one times where they are intimate. It should be noted that the story (based off of a book by Andre Aciman, who also has a cameo) does take place in Italy, where the age of consent is lower than in America.

One thing no one will find controversial is the acting. After a memorable role in this year’s Lady Bird, it is safe to say that Chalamet is clearly making a name for himself, and shows range, poise, and vunerability unseen by most young actors. Hammer of course is affective as Oliver, but the one perhaps most perfectly cast is Stuhlbarg as Elio’s father. His is the type of Professor you would want to have in college, and even some attributes you would want in a father (he was also in this year’s The Shape of Water).]

My issue with the film is how it was presented. Though the director, Luca Guadagnino, does a fine job overall, the audience seems to be thrown into this situation, without exactly having a character we can see a point of view from. I would argue if we had seen this more from Elio’s perspective, the movie would have been a whole lot better.

Parents, you should not be surprised: this is not a movie for kids at all. There is strong sexual material, nudity (including female), and some swearing. The R rating is more than appropriate.

Another thing the movie gets right is the landscape of Italy, a country I have always wanted to visit at least once. If you add in the stellar acting and emotion to the immaculate imagery of the scenes, it is clear why Call Me by Your Name is getting all the praise it deserves.

 

Overall: Four Stars ****