My Left Foot (1989)

My Left Foot

Christy Brown (Daniel Day Lewis), feeling proud of stealing coal.

 

As someone who is a dominate right-handed person, I can’t imagine doing anything with just one foot, but the left foot by itself is unthinkable. Yet that is what Christy Brown had to do for his life. He did not live to see My Left Foot (he died in 1981), his story is still one that resonates today, not just because he had cerebral palsy, but because (like everyone) he had more than his fair share of character flaws.

That is not to say he wasn’t extraordinary. Born into a traditional (and large) Irish family in 1930s Dublin, we see the story of Brown in flashbacks as the grown up Brown (Daniel Day-Lewis) is at an event celebrating his memoir. He shares his book with a newly met Nurse, Mary (Ruth McCabe). At first, it is her eyes we see the life of Christy, but then we find ourselves seeing it thru his eyes.

It is beyond frustrating at first for the adolescent Christy (Hugh O’Conor). He has a caring family and siblings, though his father (Ray McAnally, who passed away after filming concluded) is not the best at showing his love. The one clear rock in Christy’s life is his mother (Brenda Fricker), as shown in the brilliant scene when he communicates with his first word, “Mother”.

As a young man, Christy learns the many things we all do: sports, first love, heart ache, and self discovery. A lot of this is also shown in Dr. Eileen Cole (Fiona Shaw), who takes a huge interest in Christy and his art.

No review of this movie would be complete with out mention of the acting. Perhaps the only bad thing one could say about Daniel Day-Lewis’s performance is that it overshadows that of Hugh O’ Conor’s. Both are extraordinary, making it seem like one performance instead of two. Still, this is the film that brought people’s attention to Day-Lewis (it won him his first of a record three Best Actor Oscars).

The film won another Oscar for Brenda Fricker as Best Supporting Actress, who is stellar. It is clear that, without her, Brown would never have been able to be fueled to do all he accomplished. Still, as is the case in every movie he has been in, Daniel Day-Lewis showed us for the first time (and many times after) why he is one of the greatest film actors we have ever had (and if you don’t believe me, just look at the making of this movie and how in character he was. He was carried around the set when the cameras were off).

Parents, the movie is rated R. There is one bit of nudity (young boys see a nude photo in a book, and talk about sex). The main aspect though is swearing. I would say High School and above (though some mature middle schoolers may be okay at seeing it).

Had Christy not been flawed as a human, I doubt the movie would work as well as it did. To put it bluntly, he is no Helen Keller. I would say he is prickly, but that is understating it. Still, My Left Foot is a true inspiration of what the human spirit can accomplish, and a great study in how moving a performance can be.

 

Overall: Five Stars *****

 

 

Phantom Thread (2017)

Phantom Thread

“Whatever you do”, Alma (Vicky Krieps) says to Reynolds (Daniel Day-Lewis), “do it carefully”.

 

About twenty minutes or so into Paul Thomas Anderson’s brilliant Phantom Thread, I was remembering what Hitchcock said about the audience needing to be played “like a piano”. Of course, the fact that the musical score is nearly all piano helps, but this movie about a dress-maker is made with such care and precision that there is no better way to describe it.

Taking place in the post war era of 1950s London, we meet Reynolds Woodcock (Daniel Day-Lewis), a renowned dress-maker. He is beyond passionate to his work, showing artistry skills with dresses like Van Gogh did with colors. He runs his business with his sister Cyril (Lesley Manville) with a very firm but gentle hand, though it is clear he does better with dresses than he does those who wear them.

One day he meets Alma (Vicky Krieps), who is smitten by more than just the dresses he makes her. She is a waitress, but is perfect at being a muse for Reynolds (“no one can stand still longer than I can”, she claims). When she moves in with him, it is clear that routine is essential to his daily life (even breakfast becomes a hassle).

I will not go on more with the story for fear of giving it away. I will say that (though this should not shock anyone) this is yet another film that reminds us how precious it is to have an actor like Daniel Day-Lewis. His performances are not many (and has said this would be his last), but what is lacking in quantity is more than made up for in quality. We know how dedicated (which does not seem like a strong enough word) he gets into character. Even though his normal voice is english, his voice here seems so in character that it does not seem like his own. Props also should be given to Krieps, Manville, and the rest of the cast. To hold your own against DDL is something one should be proud of.

Like clothing, Anderson (who also did the cinematography) directs in such a delicate matter you feel bad if one stitch were to come undone. The beauty of the whole film also cannot be overstated. Every frame uses the lighting and shadow so well it is almost like an Edward Hopper painting.

Parents, the movie is a rather minor R rating. There is very minor nudity (seen through dresses), but none of it is sexual. There is swearing (mainly F bombs), but that is it. If your kids were to be interested, I would say mature middle schooler and above.

While I am holding against all hope that this is not the last time I will see him on the big screen, Daniel Day-Lewis does truly give a wonderful swan song. So great is his performance that I did wait till the end credits, just to see if he was also the costume designer.

While it was Mark Bridges who did the costumes, I still feel like DDL helped in some way.

 

Overall: Five Stars *****