The Top 20 Movies of 2018

2018 best

The honorable mentions…

Another great year of movies is in the books.

Toward the end of 2018, I realized I actually was able to see nearly all of the movies I wanted to in time (though there are a few I admit I am still on the look out for).

As was the case for the 2017 list, I decided to make a top 20 list , because numbers 11-20 were too good to ignore. If you really want to cut the list in half, gather all six infinity stones, put them in the infinity gauntlet, and…SNAP! (Too soon?)

 

As the title character in the next film would say, “Off we go!”…

 

20.

mpr

The minds at Disney are no strangers to taking risks, and doing a sequel to the 1964 classic Mary Poppins is one of their biggest risks yet. Still, even 54 years later, Mary Poppins Returns is a success due to new original music, fine performances, two amazing cameos, and the practically perfect Emily Blunt.

 

19.

tf

There is no doubt that The Favourite will not appeal to everyone, as it has a very dark sense of humor. In time, you will be able to see the film for its witty script and impeccable acting.

 

18.

bp

As 2018’s highest grossing film, Black Panther was also one of the best critical successes in the history of superhero films. Cultural relevance, sublime action, and wonderful acting were sure helpful, as it may become the first superhero flick to be nominated for Best Picture.

 

17.

fr

Deep, thoughtful, and chilling are some of the best ways one can describe First Reformed. As many great movies do, it provides more questions than answers. Not to mention Ethan Hawke’s uncanny performance.

 

16.

cra

 

In one of the biggest surprises of the year, Crazy Rich Asians told us the story of characters that are relatable and worthy to cheer for. Based off of a book, there are more films to come, of which I am looking forward to with a big smile.

 

15.

 

mid90s

 

In his directorial debut, Jonah Hill’s Mid90s explores the lives of kids growing up in the search of someone to look up to. The result is one of the years most authentic films.

 

14.

cyefm

 

Lee Israel was an author who made money by forging fake letters from popular authors, and the portrayal by Melissa McCarthy of her in Can you ever forgive me? is a revelation (Richard E. Grant is great as well). She has had strikeouts in her film career, yet this is a home run that clears the stadium.

 

13.

widows

 

The heat is on blast in Steve Mcqueen’s Widows, with an all-star cast on the top of their game (led by the always wonderful Viola Davis). Just because it is being somewhat overlooked does not take away from its brilliance.

 

12.

ibsct

 

One of the most human love stories in the last couple years of cinema, If Beale Street could talk is one that may not have the outcomes most are wishing for. They are the outcomes that are the right ones.

 

11.

 

8g

 

Newcomer (and Golden Globe nominee) Elsie Fisher shines through all of Eighth Grade, another coming of age story that oozes with real authentic material. Gucci, indeed.

 

10.

 

gb

 

Your heart may have been rock solid if it wasn’t feeling warm after witnessing Green Book. Both Ali and Mortensen give Oscar caliber performances, giving us the ultimate bromance of 2018.

 

9.

 

smitsv

 

As of this writing, I have yet to meet anyone I have mentioned Spider-Man: Into the Spider-Verse to come back to me saying it was a bad movie. Believe the hype, for this is the best Spidey cinema has produced, the best animated film of 2018, and easily a post credit scene better than anything the MCU has offered.

 

8.

aiw

 

Sorry if the above image brings back bad memories, but that is how big of a movie Avengers: Infinity War was. Even before the “snap heard round the world”, the film was unlike any superhero film we have seen before. Endgame cannot come soon enough.

 

7.

hereditary

 

A Quiet place had a nice premise, as did the currently popular (but not entirely great) Bird Box, but no film this year left me with such dread as Hereditary did. This movie will leave a unique bitter taste in your mouth for sometime after the credits, and I mean that as a compliment.

 

6.

blackkklansmen

 

In no way would BlacKKKlansmen have been as wonderful as it was if it weren’t directed by Spike Lee. Only he could do justice to a true story about an African America undercover cop (an awesome debut by John David Washington, son of Denzel)  who joins the KKK. Yes, it gets political, but it is super intriguing.

 

5.

asib

 

Having a good directorial debut is one thing, but there is another level that Bradley Cooper is on in A Star is Born. He gives one of his best performances, does the fourth remake of a movie, and lets Lady Gaga show she has more than singing talent. Yeah, expect this to be mentioned more than once come Oscar night.

 

4.

wybmn

You can name any superhero you want, but none could hold a candle to the bravery of Fred Rogers, even if he is not completely well-known to kids today. Thankfully, the ever charming Won’t you be my Neighbor? is a chance to remind us not just of the man, but (more importantly) his ideals. A lovely day indeed.

 

3.

fm

 

Not since 2013’s Gravity has flying seem so realistic. Damien Chazelle’s First Man, the story of Neil Armstrong (an understated Ryan Gosling) walking on the moon, brings tension and grit to the highest of levels. Months later, the sound effects are still giving me the chills of space.

 

2.

roma

 

I have mentioned how Netflix’s original films are not always great, and while I have not seen all of them, I doubt many can come close to Roma. Director Alfonso Cuaron (director of the previously mentioned Gravity) delivers a passion project that is nothing short of sublime. It may be on Netflix, but the film deserves to be seen on the biggest screen you can see it on. Hands down 2018 most gorgeous film (even the cleaning of dog crap looked beautiful).

 

1.

LNT.jpg

 

Throughout 2018, I wrestled up and down between my favorite film of the year, and then I came across a hidden treasure, Leave No Trace. The first film in eight years from director Debra Granik (her last film was the masterful 2010 film Winter’s Bone with Jennifer Lawrence), the simple story of a father (Ben Foster) and his daughter (amazing new comer Thomasin McKenzie) who try to avoid civilization is both heartbreaking and beautiful. It hit me in the feels more than any other film last year. You may not have heard of it, but it is out on DVD, and is more than worth looking for. Scratch that, it is worth buying.

BlacKkKlansman (2018)

Blackkklansman

Phillip “Flip” Zimmerman (Adam Driver) is somewhat suckered into Ron Stallworth’s (John David Washington) plan of infiltrating the local branch of the KKK.

It should come as no surprise that the brilliance of BlacKkKlansman is mainly because it is made by Spike Lee. Not only could this movie be made well by another director, but I don’t think any other director would have guts to make it.

Set in the 1970s, the film tells the true story of a new African-American police officer in Colorado (which I never once thought of as being a state with racism) named Ron Stallworth (John David Washington, real life son of Denzel). After some time of working in the records room, he gets his chance at going undercover. He eventually finds himself convincing a KKK member (Ryan Eggold) to give him a chance at becoming a member. It is here where he enlists Flip (Adam Driver) to cover for him in the person to person meetings, while Ron handles the phone conversations. It works so well they even get to convincing the Grand Wizard himself, David Duke (a nearly unrecognizable Topher Grace, and not just because he has a mustache). There is also a side romance between Ron and Patrice (Laura Harrier), a local college student known for being vocal about her race.

If reading this review (or seeing the trailer) has made you feel a little guilty on laughter, don’t worry, because there will be a lot of it. The characters know they are in a situation that is ludicrous, but go thru it anyway. There are many characters that do come across as somewhat stereotypical, mainly that of the married couple Felix and Connie (Jasper Paakkonen and Ashlie Atkinson, respectfully). Still, there are others who do actually seem like they are right in their life choices, even if that is racism.

All the acting is stellar. Washington does show some signs of his (arguably more famous) dad, but still makes it his own performance. I am now becoming more and more convinced that Adam Driver will be able to have a much more standout career as a talented actor and not just the guy who killed Han Solo (I would say spoiler, but you should know this by now). One of the most dramatic moments comes when two characters are making speeches. The first is David Dukes (again, was that really Topher Grace?), and the second is an old African-American survivor telling his story of racism. He is played by Harry Belafonte, who gives a prime example of making a great scene out of little screen time.

Parents, the movie is, of course, rated R (as almost every Spike Lee film is). There is no sexual scenes (just talking) and some violence. The R rating is mainly due to the language (mainly the N word, which is spouted an infinite number of times). I would say High School and above, but I should mention I did see at least one child in my screening who could not have been more than ten years old.

Now to the ending of the film, which is one that will be talked about for a long time. True, it does get political (it should not surprise us how Lee would feel about President Trump, especially when you see the cameo in the first five minutes of the film). Nevertheless, the film does end the way it should, stating that this problem of racism and hatred is still rampant today, and is right in front of our eyes.

Kind of reminds me of that quote from Rodney King.

Overall: Five Stars *****

My predictions for the 89th Academy Awards…

my-oscar-predictions

 

Every year at the Oscars, there is one battle that never fails to occur: the battle between my heart and my mind. After a few years of proof that my mind is often the better judge (since I missed Best Picture two years in a row), I am feeling a little more confident in my predictions this year (though my heart is still having it’s say).

As always, don’t forget you need to worry about all the catagories (even Best Documentary Short).

My predictions are…

 

Best Picture

atogt

  • Arrival
  • Fences
  • Hacksaw Ridge
  • Hell or High Water
  • Hidden Figures
  • La La Land
  • Lion
  • Manchester by the Sea
  • Moonlight

I feel confident in saying my two year drought in the main catagory is over. Nothing is stopping La La Land from winning Best Picture (if you had to pick a movie for second place, it would be Moonlight).

Will win/Should win: La La Land (95% sure)

Could Win: Moonlight (not really though)

 

Best Director

director

  • Denis Villeneuve, Arrival
  • Mel Gibson, Hacksaw Ridge
  • Damien Chazelle, La La Land
  • Kenneth Lonergan, Manchester by the Sea
  • Barry Jenkins, Moonlight

 

The Directors Guild is (for the most part) the best to predict Best Director, and they awarded it to Damien Chazelle. With La La Land and 2014’s  Whiplash, it is clear Chazelle is not going anywhere. Expect him to win on Oscar night, and become the youngest winner in the history of the catagory.

Will win/Should win: Damien Chazelle,  (95% sure)

Could win: Barry Jenkins, (very unlikely)

 

Best Actor

 

atogt

  • Casey Affleck, Manchester by the Sea
  • Andrew Garfield, Hacksaw Ridge
  • Ryan Gosling, La La Land
  • Viggo Mortensen, Captain Fantastic
  • Denzel Washington, Fences

This is one of the main races of the night, between Casey Affleck and Denzel Washington (Ryan Gosling would be trailing behind in third). Affleck has won many of the early awards, but Washington got the SAG award (which he had never won before, crazy as that sounds). Both performances (as well as the other three) are wonderful, but there are two factors left to bring up.

The first is of Affleck’s alledged accusations of sexual abuse, which has apparently caught up with him. The second is, with everyone fighting the “Oscars so white”, it looks like the edge is being given to Denzel, but barely.

Will/Should win: Denzel Washington (70% certain)

Could win: Casey Affleck (perhaps even Ryan Gosling)

 

Best Actress

 

atogt

  • Isabelle Huppert, Elle
  • Ruth Negga, Loving
  • Emma Stone, La La Land
  • Natalie Portman, Jackie
  • Meryl Streep, Florence Foster Jenkins

Natalie Portman and Emma Stone are the only performances I have seen so far. What Portman did was pretty much bring the late Mrs. Jackie Kennedy back to life. Still, no performance touched my soul more so than Emma Stone did in La La Land (capped off mainly when she sang “Audition”). She won the SAG award, which seems to have cemented her status in riding the “La La” train to her first Oscar.

Will win/Should Win: Emma Stone

Could win: Natalie Portman

 

Best Supporting Actor

 

atogt

  • Mahershala Ali, Moonlight
  • Jeff Bridges, Hell or High Water
  • Lucas Hedges, Manchester by the Sea
  • Dev Patel, Lion
  • Michael Shannon, Nocturnal Animals

I feel no one has been giving much love to Lucas Hedges for Manchester by the Sea. He shows a wonderful growing talent that reminded me of Timothy Hutton’s Oscar winning performance in Ordinary People (1980).

Still, expect the win to go to Ali for Moonlight. Despite being only in the first third of the film, it is the one that you remember the most after the film ends.

 

Will win: Mahershala Ali (90% sure)

Should win: Lucas Hedges

Could win: Dev Patel

 

Best Supporting Actress

aaa

  • Viola Davis, Fences
  • Naomie Harris, Moonlight
  • Nicole Kidman, Lion
  • Octavia Spencer, Hidden Figures
  • Michelle Williams, Manchester by the Sea

 

Truly, this is the easiest catagory of the night. While I admired all the performances (especially Naomie Harris), it is clear that Viola Davis will win for her electric performance in Fences. Done deal.

Will win/Should Win: Viola Davis (100% sure)

Could win: Naomie Harris (in an alternate universe)

 

Best Animated Feature Film

atogt

  • Kubo and the Two Strings
  • Moana
  • My Life as a Zucchini
  • The Red Turtle
  • Zootopia

Every year the Oscars seems to have at least one upset,and I am banking on Kubo and the Two Strings beating Zootopia (which is favored). Why? First, Zootopia has no other nominations while Kubo and the Two Strings has two. Second, both Zootopia and Moana are Disney, which may split the vote. Finally (and this is my heart taking control), Kubo was my favorite movie of last year, and I will be so happy if it wins.

 

Will win/Should win: Kubo and the Two Strings (60% sure)

Could win: Zootopia

 

Best Foreign Film

atogt

  • Land of Mind (Denmark)
  • A Man Called Ove (Sweden)
  • The Salesman (Iran)
  • Tanna (Australia)
  • Toni Erdmannn (Germany)

After the visa ban by President Trump, Asghar Farhadi is planning on boycotting the Oscars. This could help his film The Salesman win an Oscar (he won in this catagory for 2011’s masterpiece A Separation).

Will win: The Salesman (75%)

 

Best Original Screenplay

atogt

  • Hell or High Water
  • La La Land
  • The Lobster
  • Manchester by the Sea
  • 20th Century Women

While La La Land brought the old school musical and meshed it with the world of today, expect the win to go to Manchester by the Sea. It is very rare to see a movie where tragedy meets with comedy so well, but that is what Kenneth Lonergan did.

Will win/Should win: Manchester by the Sea (80% sure)

Could win: La La Land

 

Best Adapted Screenplay

atogt

  • Arrival
  • Fences
  • Hidden Figures
  • Lion
  • Moonlight

This may be the only catagory that Hidden Figures can get a win, but expect it to go to Moonlight.

Will win: Moonlight (85% sure)

Could win: Hidden Figures

Should win: Fences (which would make it a posthumous win for August Wilson)

 

Best Costume Design

atogt

 

  • Allied
  • Fantastic Beasts and Where to Find Them
  • Florence Foster Jenkins
  • Jackie
  • La La Land

 

Will win/Should win: Jackie (75% sure)

Could win: La La Land

 

Best Original Song

atogt

  • “Audition”, La La Land
  • “Can’t Stop the Feeling”, Trolls
  • “City of Stars”, La La Land
  • “The Empty Chair”,  Jim: The James Foley Story
  • “How Far I’ll Go”, Moana

Lin’Manuel Miranda could possibly get his EGOT if both songs from La La Land split the vote. While that is possible, expect the Oscar to go to “City of Stars”, a song very difficult to get out of your head (not that you would want to anyway).

Will win/Should win: “City of Stars”, La La Land (75% sure)

Could win: “How Far I’ll Go”, Moana

 

Best Original Score

atogt

  • Jackie
  • La La Land
  • Lion
  • Moonlight
  • Passengers

Another easy one. Check off La La Land, which is easily a staple in my Itunes library.

Will win/Should Win: La La Land (95% sure)

 

Best Documentary Feature

 

atogt

  • Fire at Sea
  • I am Not your Negro
  • Life, Animated
  • O.J.: Made in America
  • The 13th

I have only seen Life, Animated, but I have heard nothing by praise for O.J. (the movie, not the man).

Will win: O.J.: Made in America (85% sure)

Could win: The 13th

Should win: Life, Animated

Best Documentary Short

atogt

  • 4.1 Miles
  • Extremis
  • Joe’s Violin
  • Watani: My Homeland
  • The White Helmets

Will win: Joe’s Violin (70% sure)

 

Best Makeup & Hairstyling

 

ATOGT.jpg

 

  • A Man Called Ove
  • Star Trek Beyond
  • Suicide Squad

Will win: Star Trek Beyond (80% sure)

 

Best Production Design

ATOGT.jpg

  • Arrival
  • Fantastic Beasts and Where to Find Them
  • Hail Caesar!
  • La La Land
  • Passengers

Will win/Should win: La La Land (80% sure)

 

Best Film Editing

ATOGT.jpg

 

  • Arrival
  • Hacksaw Ridge
  • Hell or High Water
  • La La Land
  • Moonlight

Will win/Should win: La La Land (85% sure)

Could win: Hacksaw Ridge

 

Best Cinematography

atogt

  • Arrival
  • La La Land
  • Lion
  • Moonlight
  • Silence

Will win: La La Land (80% sure)

Could win: Moonlight

 

Best Sound Editing

atogt

  • Arrival
  • Deepwater Horizon
  • Hacksaw Ridge
  • La La Land
  • Sully

Will win: Hacksaw Ridge (70% sure)

Could win: La La Land

 

Best Sound Mixing

atogt

  • Arrival
  • Deepwater Horizon
  • Hacksaw Ridge
  • La La Land
  • Sully

Will win: La La Land

Could win: Hacksaw Ridge or Arrival

 

Best Visual Effects

atogt

  • Deepwater Horizon
  • Doctor Strange
  • The Jungle Book
  • Kubo and the Two Strings
  • Rogue One: A Star Wars Story

Will win/Should win: The Jungle Book (85% sure)

Could win: Doctor Strange

 

Best Animated Short

ATOGT.jpg

  • Blind Vaysha
  • Borrowed Time
  • Pear Cider and Cigarettes
  • Pearl
  • Piper

Will win/Should win: Piper (75% sure)

Could win: Pear Cider and Cigarettes

 

Best Live Action Short Film

ATOGT.jpg

  • Ennemis Interieurs
  • La Femme et le TGV
  • Silent Nights
  • Sing
  • Timecode

 

Will win: Timecode (60% sure)

 

Comment and share your predictions.

 

And the Oscar Nominees (and my thoughts) are…(2017)

oscars-2017

In years past, the president of the Academy would be accompanied by some known movie star and announce the list of the nominees to the movie going public. This year, it was streamed live with interviews with past Oscar winners and nominees such as Jennifer Hudson, Ken Watanabe, Gabourey Sidibe (I forgot she had comic chops), and Jason Reitman. It was a nice change of pace.

Here are the nominees (and my thoughts)…

Best Picture

  • Arrival
  • Fences
  • Hacksaw Ridge
  • Hell or High Water
  • Hidden Figures
  • La La Land
  • Lion
  • Manchester by the Sea
  • Moonlight

 

Thoughts: I wish a tenth spot would open up for Silence, but overall, nothing too surprising here.

 

Best Director

  • Damien Chazelle, La La Land
  • Mel Gibson, Hacksaw Ridge
  • Barry Jenkins, Moonlight
  • Kenneth Lonergan, Manchester by the Sea
  • Denis Villeneuve, Arrival

 

Thoughts: Again, no love for Scorsese on his work for Silence, but each of the nominees were no surprise to me. Sad though there was no room for Denzel Washington for Fences.

 

Best Actor

  • Casey Affleck, Manchester by the Sea
  • Andrew Garfield, Hacksaw Ridge
  • Ryan Gosling, La La Land
  • Viggo Mortensen, Captain Fantastic
  • Denzel Washington, Fences

 

Thoughts: No surprise, as these were the five heavy hitters (sorry Tom Hanks. Tough year.)

 

Best Actress

  • Isabelle Huppert, Elle
  • Ruth Negga, Loving
  • Natalie Portman, Jackie
  • Emma Stone, La La Land
  • Meryl Streep, Florence Foster Jenkins

 

Thoughts: Here was the category that surprised me. As of now, I have only seen two of the nominees (Jackie and La La Land). Huppert’s surprise win at the Globes probably helped her here, as did Streep’s speech at the Globes (and the obvious fact that she is Meryl Streep). Still, the biggest surprise is Ruth Negga, who was probably the reason there is no nominations for Annette Benning (20th Century Women) or (more shockingly) Amy Adams (Arrival).

 

Best Supporting Actor

  • Mahershala Ali, Moonlight
  • Jeff Bridges, Hell or High Water
  • Lucas Hedges, Manchester by the Sea
  • Dev Patel, Lion
  • Michael Shannon, Nocturnal Animals

 

Thoughts: Despite a Golden Globe win in this category, Michael Shannon’s co-star, Aaron Taylor-Johnson, did not get a nomination. I was very happy though for Lucas Hedges, who did spellbinding work in Manchester by the Sea. This one may be a tight race.

 

Best Supporting Actress

  • Viola Davis, Fences
  • Naomie Harris, Moonlight
  • Nicole Kidman, Lion
  • Octavia Spencer, Hidden Figures
  • Michelle Williams, Manchester by the Sea

 

Thoughts: No surprise, and the main category I can predict right here and now. This is a clear win for Viola Davis.

 

Best Animated Feature

  • Kubo and the Two Strings
  • Moana
  • My Life as a Zucchini
  • The Red Turtle
  • Zootopia

 

Thoughts: Either Zucchini or The Red Turtle would explain why Finding Dory was not on here, which did not surprise me at all.

 

Best Cinematography

  • Arrival
  • La La Land
  • Lion
  • Moonlight
  • Silence

 

Thoughts: Nice to see Silence recognized for at least one category.

 

Best Costume Design

  • Allied
  • Fantastic Beasts and Where to Find Them
  • Florence Foster Jenkins
  • Jackie
  • La La Land

 

 

Best Documentary

  • Fire at Sea
  • I am Not Your Negro
  • Life, Animated
  • O.J.: Made in America
  • 13th

 

Thoughts: I am very happy that Life, Animated was recognized, though I have heard nothing but praise for O.J. (the movie, not, you know, the player).

Best Documentary Short Subject

  • Extremis
  • 4.1 Miles
  • Joe’s Violin
  • Watani: My Homeland
  • The White Helmets

 

Best Film Editing

  • Arrival
  • Hacksaw Ridge
  • Hell or High Water
  • La La Land
  • Moonlight

 

Best Make Up and Hairstyling

  • A Man Called Ove
  • Star Trek Beyond
  • Suicide Squad

 

Best Original Score

  • Jackie, Mica Levi
  • La La Land, Justin Hurwitz
  • Lion, Volker Bertelmann and Dustin O’Halloran
  • Moonlight, Nicholas Britell
  • Passengers, Thomas Newman

 

Best Original Song

  • “Audition (The Fools Who Dream)”, La La Land
  • “Can’t Stop the Feeling”, Trolls
  • “City of Stars”, La La Land
  • “The Empty Chair”,  Jim: The James Foley Story
  • “How Far I’ll Go”, Moana

 

Best Foreign Language Film

  • Land of Mine, Denmark
  • A Man Called Ove, Sweden
  • The Salesman, Iran
  • Tanna, Australia
  • Toni Erdmann, Germany

 

Best Production Design

  • Arrival
  • Fantastic Beasts and Where to Find Them
  • Hail, Caesar!
  • La La Land
  • Passengers

 

Best Animated Short Film

  • Blind Vaysha
  • Borrowed Time
  • Pear Cider and Cigareets
  • Pearl
  • Piper

 

Best Live Action, Short Subject

  • Ennemis Interieurs
  • La Femme et le TGV
  • Silent Nights
  • Sing
  • Timecode

 

Best Sound Editing

  • Arrival
  • Deepwater Horizon
  • Hacksaw Ridge
  • La La Land
  • Sully

 

Best Sound Mixing

  • Arrival
  • Hacksaw Ridge
  • La La Land
  • Rogue One: A Star Wars Story
  • 13 Hours: The Secret Soldiers of Benghazi

 

Thoughts: Yes, a Michael Bay movie is nominated for an Oscar.

 

Best Visual Effects

  • Deepwater Horizon
  • Doctor Strange
  • The Jungle Book
  • Kubo and the Two Strings
  • Roge One: A Star Wars Story

 

Best Adapted Screenplay

  • Arrival, Eric Heisserer
  • Fences, August Wilson
  • Hidden Figures, Allison Schroeder and Theodore Melfi
  • Moonlight, Barry Jenkins and Tarell Alvin McCraney
  • Lion, Luke Davies

 

Best Original Screenplay

  • Hell or High Water, Taylor Sheridan
  • La La Land, Damien Chazelle
  • The Lobster, Yorgos Lanthimos and Efthymis Filippou
  • Manchester by the Sea, Kenneth Lonergan
  • 20th Century Women, Mike Mills

 

Congrats are in order to La La Land for tying All about Eve (1950) and Titanic (1997) with 14 nominations. More importantly, congratulations are needed for the Academy for no longer having to hear about “Oscars so white”.

The 89th Academy Awards will take place on February 26th, 2017. Jimmy Kimmell will be hosting.

My predictions will be announced in the weeks to come.

 

Fences (2016)

fences

Troy (Denzel Washington) gives one of his sons a good talking to…

There will be no “Oscars So White” at the Oscars this February.

After two years of no recognition for anyone in the black community who make movies, it was as if Denzel Washington just said “Ok, I will put a stop to that” and decided to direct Fences.

The movie is based on the play by the late August Wilson (who had worked on the screenplay before his death in 2005). After he won a Tony Award for his role, Washington brings his Troy Maxson to the big screen. Troy is a garbage man who works during the 1950s alongside his best friend Jim Bono (Stephen McKinley Henderson). Married to his wife Rose (Viola Davis, who also starred with Washington on stage), he has two sons, Lyons (Russel Hornsby) and Cory (Jovan Adepo). Lyons is a struggling musician, who does seem to come by to ask his old man for ten dollars on every one of his dad’s pay days. Cory is finishing High School, hoping to play on a football scholarship, which Troy is against. There is also Troy’s brother Gabriel (Mykelti Williamson), who suffered a brain injury during the war.

All the acting is stellar. Once again Denzel Washington gives us more reason to believe why he is one of the most talented actors to grace the silver screen. This performance ranks up with some of the best work that he has ever done. As I was watching him, I realized you could take any thirty seconds out of his performance, and it would be able to be used for him when announcing him as a Best Actor nominee (which it is pretty much impossible for him not to be).

There are secrets that are exposed, things that are brought out into the light, and all of this is handled so well we forget who the actors are. We don’t sense “Oh look, Viola Davis is acting right now.” We sense that Rose is expressing herself and showing us pain that we hope no one else has to go through (though sadly some do). This may finally be the chance Davis gets at winning an Oscar, and it will be well deserved.

Parents, I am glad to say the movie is PG-13, and for the right reasons. There is swearing, but it is mainly for the thematic material in the film (there is no sexuality, but some suggestive talk). I would say mature middle schoolers and up.

One thing about Washington’s performance is that it is so great we forget he directed the film as well. There is certainly a sense that the movie feels almost like a play, but a movie at the same time. While the movie is not perfect (it drags a little at times, mainly at the end), it is certaintly one of the best movies of 2016.

Overall: Four and a Half Stars ****1/2