Incredibles 2 (2018)

Incredibles 2

Fighting crime is hard enough without having a baby to watch over.

It should come as very little surprise that it took fourteen years to bring the Parr family back to the big screen in Incredibles 2. Director and writer Brad Bird knew he had characters that are rivaled by few in the Disney Universe (not just Pixar), so he took his time. The result is a sequel that, while it does not live up to the original, still is passable as family fun for all ages.

The movie picks up right where we left off in the first film. The Parr family is chasing after the Underminer (Pixar voice man John Ratzenberger). After his escape, the family is under legal trouble again, and must go back into hiding. That all changes when they are approached by super hero enthusiast Winston Deavor (Bob Odenkirk) and his sister Evelyn (Catherine Keener). They tell of a plan of how Mr. Incredible (Craig T. Nelson), Elastigirl (Holly Hunter) and Frozone (Samuel L. Jackson) can wear hidden cameras to show the hero point of view, not the point of view from the politicians. The choice is eventually made that Elastigirl will be the best bet for the public since she destroys the least amount of property.

This leaves Bob alone with his kids as a stay at home dad (though Deavor has given them a new house with amazing features). This is the plot where the film adds the most laughs, as Bob is unaware at first of his kids’ individual problems. Dash (Huck Milner) needs help with homework (“Why would they change math?!”). Violet (Sarah Vowell) is upset because her crush from the first film Tony (Michael Bird, son of Brad Bird) had his memory erased of her and does not know who she is. Then of course, there is Jack-Jack (Eli Fucile) who is discovering his new powers along with his family. It is so desperate that Bob even has to go to Edna (Brad Bird) for help (while in his monster form, Jack-Jack is also voiced by Nicholas Bird, the other son of Brad Bird).

Meanwhile, Elastigirl is on the hunt for a new villain named Screenslaver, who does have secrets of his own (I did guess at who the identity of the Screenslaver was, but I will still not reveal it). His powers are able technical in that he can entrance people on the TV screen. Eventually, this tech is transmitted to goggles.

There are other minor characters that don’t get as much screen time, but are fun to have around anyway. These are the super heroes who have also been in hiding, such as Voyd (Sophia Bush), Helectrix (Phil LaMarr), and others with their own unique powers.

Parents, the film may be the first time I have heard some swearing in a Disney/Pixar film (very minor ones like Hell and Crap). Aside from that, it is safe to say that any kid would be fine with this film if they saw the original.

The movie is fun, but far from the (pardon the pun) incredible first film. It does lack the originality and uniqueness from the first film, and does not nearly have as good a villain (though few can compare to Syndrome). Still, that should not stop you from having a great time with your family.

Though I would advise you to tell your kids that fighting a racoon may not be the best idea.

 

Overall: Three and a Half Stars ***1/2

 

The Big Sick (2017)

The BIg SIck

Emily (Zoe Kazan) and Kumail (Kumail Nanjiani) in The Big Sick

Wow, what a breath of fresh air is The Big Sick. It is truly unlike any romantic movie I have seen in some time, probably the best since 2009’s 500 Days of Summer. I sat there watching the movie, realizing I had no idea where it would lead me, because it does not follow the cliché plot points of other movies in the genre. True, part of it could be because it is based on the true story of how Kumail Nanjiani met his wife Emily V. Gordon, but since they both wrote the script (and what a script!), it is clear it was close to their hearts.
Kumail plays himself, a struggling wannabe stand up comedian in downtown Chicago. We get some great looks at what stand-ups are like moments before they go on stage (one being described as “Daniel-Day Lewis, except he sucks”. In the audience, he gets a heckle from a member, who is Emily (Zoe Kazan, granddaughter of Elia). To say that they have great chemistry is a gross understatement.
The problem is that Kumail’s family is from Pakistan, so it is custom for him to marry a girl of his race. Every night at dinner, his mother (Zenobia Shroff) has to answer the door, because she has “casually” invited a woman over for dinner who happened to be walking by (Kumail keeps a box full of the woman his mother has tried to set her up with). He is also reminded by his brother Naveed (Adeel Akhtar) that their mother and father (Anupam Kher) will kick Kumail out of the family if he decides to marry a girl from another race.
Not long after an argument between Kumail and Emily, Kumail gets a call that Emily is in the hospital with an unknown disease that forces Emily to be put into a medical induced coma. During that time, Kumail meets Emily’s parents Beth and Terry (the perfectly cast Holly Hunter and Ray Romano.) Beth is clearly a bit more high-strung than Terry (who keeps notes at every meeting and discussion they have with Emily’s doctors). I will let you find out how outrageous Terry’s advice on love is that he tells Kumail.
The relationships that Kumail makes with all the characters in the movie is one of the best things about the film. Still, the strong point is the relationship he has with Emily’s parents. There is one scene where, in the hospital cafeteria, Terry invites Kumail to sit with him and his wife. The conversation they have is one I will not mention a word of, except to say it still has me laughing days after I saw the movie. Some may find the dialogue in that scene to be a little too risky for humor, but that is not why we laugh at it. We laugh at it because of the awkwardness of the situation.
Parents, the R rating is clearly justified. There is no nudity or sex scenes (some making out and characters waking up in bed after sex), but the film is rated R mainly for swearing. A lot of swearing (some sexual). Mature High School and above only.
Something that is very clear about The Big Sick is the fact that it clearly has a lot of scenes that tug at the heart. It is not just the fact that we fear for certain characters, but that we have sensed they have grown as people over the course of the events of the movie. That alone is essential to any film genre.
Overall: Four and a Half Stars ****1/2