The Top 20 Movies of 2018

2018 best

The honorable mentions…

Another great year of movies is in the books.

Toward the end of 2018, I realized I actually was able to see nearly all of the movies I wanted to in time (though there are a few I admit I am still on the look out for).

As was the case for the 2017 list, I decided to make a top 20 list , because numbers 11-20 were too good to ignore. If you really want to cut the list in half, gather all six infinity stones, put them in the infinity gauntlet, and…SNAP! (Too soon?)

 

As the title character in the next film would say, “Off we go!”…

 

20.

mpr

The minds at Disney are no strangers to taking risks, and doing a sequel to the 1964 classic Mary Poppins is one of their biggest risks yet. Still, even 54 years later, Mary Poppins Returns is a success due to new original music, fine performances, two amazing cameos, and the practically perfect Emily Blunt.

 

19.

tf

There is no doubt that The Favourite will not appeal to everyone, as it has a very dark sense of humor. In time, you will be able to see the film for its witty script and impeccable acting.

 

18.

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As 2018’s highest grossing film, Black Panther was also one of the best critical successes in the history of superhero films. Cultural relevance, sublime action, and wonderful acting were sure helpful, as it may become the first superhero flick to be nominated for Best Picture.

 

17.

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Deep, thoughtful, and chilling are some of the best ways one can describe First Reformed. As many great movies do, it provides more questions than answers. Not to mention Ethan Hawke’s uncanny performance.

 

16.

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In one of the biggest surprises of the year, Crazy Rich Asians told us the story of characters that are relatable and worthy to cheer for. Based off of a book, there are more films to come, of which I am looking forward to with a big smile.

 

15.

 

mid90s

 

In his directorial debut, Jonah Hill’s Mid90s explores the lives of kids growing up in the search of someone to look up to. The result is one of the years most authentic films.

 

14.

cyefm

 

Lee Israel was an author who made money by forging fake letters from popular authors, and the portrayal by Melissa McCarthy of her in Can you ever forgive me? is a revelation (Richard E. Grant is great as well). She has had strikeouts in her film career, yet this is a home run that clears the stadium.

 

13.

widows

 

The heat is on blast in Steve Mcqueen’s Widows, with an all-star cast on the top of their game (led by the always wonderful Viola Davis). Just because it is being somewhat overlooked does not take away from its brilliance.

 

12.

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One of the most human love stories in the last couple years of cinema, If Beale Street could talk is one that may not have the outcomes most are wishing for. They are the outcomes that are the right ones.

 

11.

 

8g

 

Newcomer (and Golden Globe nominee) Elsie Fisher shines through all of Eighth Grade, another coming of age story that oozes with real authentic material. Gucci, indeed.

 

10.

 

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Your heart may have been rock solid if it wasn’t feeling warm after witnessing Green Book. Both Ali and Mortensen give Oscar caliber performances, giving us the ultimate bromance of 2018.

 

9.

 

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As of this writing, I have yet to meet anyone I have mentioned Spider-Man: Into the Spider-Verse to come back to me saying it was a bad movie. Believe the hype, for this is the best Spidey cinema has produced, the best animated film of 2018, and easily a post credit scene better than anything the MCU has offered.

 

8.

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Sorry if the above image brings back bad memories, but that is how big of a movie Avengers: Infinity War was. Even before the “snap heard round the world”, the film was unlike any superhero film we have seen before. Endgame cannot come soon enough.

 

7.

hereditary

 

A Quiet place had a nice premise, as did the currently popular (but not entirely great) Bird Box, but no film this year left me with such dread as Hereditary did. This movie will leave a unique bitter taste in your mouth for sometime after the credits, and I mean that as a compliment.

 

6.

blackkklansmen

 

In no way would BlacKKKlansmen have been as wonderful as it was if it weren’t directed by Spike Lee. Only he could do justice to a true story about an African America undercover cop (an awesome debut by John David Washington, son of Denzel)  who joins the KKK. Yes, it gets political, but it is super intriguing.

 

5.

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Having a good directorial debut is one thing, but there is another level that Bradley Cooper is on in A Star is Born. He gives one of his best performances, does the fourth remake of a movie, and lets Lady Gaga show she has more than singing talent. Yeah, expect this to be mentioned more than once come Oscar night.

 

4.

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You can name any superhero you want, but none could hold a candle to the bravery of Fred Rogers, even if he is not completely well-known to kids today. Thankfully, the ever charming Won’t you be my Neighbor? is a chance to remind us not just of the man, but (more importantly) his ideals. A lovely day indeed.

 

3.

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Not since 2013’s Gravity has flying seem so realistic. Damien Chazelle’s First Man, the story of Neil Armstrong (an understated Ryan Gosling) walking on the moon, brings tension and grit to the highest of levels. Months later, the sound effects are still giving me the chills of space.

 

2.

roma

 

I have mentioned how Netflix’s original films are not always great, and while I have not seen all of them, I doubt many can come close to Roma. Director Alfonso Cuaron (director of the previously mentioned Gravity) delivers a passion project that is nothing short of sublime. It may be on Netflix, but the film deserves to be seen on the biggest screen you can see it on. Hands down 2018 most gorgeous film (even the cleaning of dog crap looked beautiful).

 

1.

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Throughout 2018, I wrestled up and down between my favorite film of the year, and then I came across a hidden treasure, Leave No Trace. The first film in eight years from director Debra Granik (her last film was the masterful 2010 film Winter’s Bone with Jennifer Lawrence), the simple story of a father (Ben Foster) and his daughter (amazing new comer Thomasin McKenzie) who try to avoid civilization is both heartbreaking and beautiful. It hit me in the feels more than any other film last year. You may not have heard of it, but it is out on DVD, and is more than worth looking for. Scratch that, it is worth buying.

Leave No Trace (2018)

Leave no Trace

There is no trace of any falseness in this father/daughter relationship.

With only a few minutes before the start of Leave No Trace, the only thing I knew about the film was that it starred Ben Foster. Then I realized it was directed by Debra Granik, who made my favorite movie of 2010, Winter’s Bone. This got me excited and eager to watch her newest flick, and I am happy to say it did not let me down at all.

I will leave very little room for what happens, because it is one of those great films that you need to see with little knowledge going into. Therefore, I will just give the basics. Will (Ben Foster) is living on his own with his teenage daughter Tom (Thomasin McKenzie) after returning from military service and suffering from PTSD. The best way to cope for Will is to be as far away from culture as possible, with the exception of his daughter.

Like great film artists, Granik paints with the finest of brushes for characters. Events happen, and they are introduced to people in the world but father and daughter don’t react the same way. The same can also be said for the look of the film, which is luscious to say the least (it had me thinking if any other film had used natural light with negative results, which is not the case here).

Something else about the film I truly enjoyed was the rating of PG. I don’t recall any swearing, but the most is the thematic elements and some thematic material (involving injuries that are bad but not gruesomely so). A friend of mine took his preteen daughter, who I hear is now obsessed with survival skills.

The only two movies I know for sure I have seen Ben Foster in for sure was 3:10 to Yuma (2007) and Hell or High Water (2017). In both films, he was the character we loved to hate on. That is far from the current case. He gives us a damaged guy beyond repair, with only his daughter to possibly help fight his personal demons.

This brings us to Thomasin McKenzie. It is admittedly hard to say how great her performance is, only since I have yet to see her in anything else. It is far easier to say how affective her performance is. We see a character arc in Tom that is so relatable we can almost touch it.  She may not get awards consideration, but Granik did direct Jennifer Lawrence to an Oscar nod in Winter’s Bone. So if anything, it will surely launch her career.

This is one of the year’s very best films.

 

Overall: Five Stars *****

X-Men: Apocalypse (2016)

x-men Apocalypse

The younger versions of Jean Grey (Sophie Turner), Nightcrawler (Kodi Smit-Mcphee) and Cyclops (Tye Sheridan).

X-Men: Apocalypse is sure to dazzle the biggest fanboy (or girl), but it is almost generic in being a summer film, one that may not completly be remembered by the end of the year.

After the brilliance of X-Men: Days of Future Past two years ago (I still have yet to see X-Men: First Class from 2011), we fast foward ten years and are introduced to the biggest baddie in all mutant history (also the first), En Sabah Nur (Oscar Issac), also known as Apocalypse (though I don’t think he is called anything else in the movie). His ability is to move his conscience into other beings, picking up their powers along the way (at least that is what I gathered: I was a fan of X-Men as a nineties kid, but never got around to Apocalypse).

Meanwhile, we see familiar faces such as Professor Charles Xavier (James McAvoy), who is still running his school for the gifted with the help of Hank McCoy/Beast (Nicholas Hoult). Erik Lehnsherr (Michael Fassbender) is leading a normal life with a wife and daughter, though still working in a steel mill seems awkward for the man once known as Magneto. Raven (Jennifer Lawrence), also known as Mystique, has become kind of a folklore legend, but refuses to be seen as a hero. We also see three young versions of familiar heroes; Cyclops (Tye Sheridan), Jean Grey (Sophie Bush), and Nightcrawler (Kodi Smit-McPhee). However, Apocalypse has also managed to recruit some mutants of his own, including Angel (Ben Hardy), Storm (Alexandra Shipp), and Psylocke (Olivia Munn).

Still, as it was with Days of Future Past, my favorite is still Evan Peters as Quicksilver. It is a difference character than the one we met in Avengers: Age of Ultron (2015), and a better one (and not the because of the reason you think). He is witty, smart, funny, yet still has a tortured soul. He has a scene reminiscant of the one he had in Days of Future Past, and, as was the case in the previous movie, it is the best scene of this film as well.

All actors give strong performances (I did especially enjoy the chemistry between Sheridan, Bush, and Smit-McPhee), and the action sequences were very cool. Still, the story itself was just luke warm to me. Even at nearly two and a half hours (which it did not drag on as much as I thought it would), I feel they could have added a few more levels of depth to each character, as well as give a little more sinister-ness to the villian (though Issac does a fine job here).

Parents, the movie does have some revealing clothing, and some nudity (all Mystique, though the nudity is always her in blue). There is also some swearing (including one F bomb, though it is well placed). Basically, the PG-13 rating is justified, though it could have been rated R.

I will end by saying do still feel I liked this film better than Batman v Superman: Dawn of Justice, though not nearly as much as Captain America: Civil War. I understand not all comic book stories are light and fun: some can be dark. I feel there is still some room left for another X-Men film or two (which will more than likely happen), but they need to stop looking at the horizon and take a leap of faith.

 

Overall: Three Stars ***