Venom (2018)

Venom

The plot of Venom is more slippery than infectious.

It isn’t that Venom is a terrible movie, but it most certainly is a disappointing one, especially when you have a great talent like Tom Hardy in the lead role. He himself is really the only thing worth seeing in this film (and, admittedly, some unexpected laughs I was not expecting).

Hardy stars as Eddie Brock, a reporter who one day is in over his head as he tries to uncover the mystery behind a suspicious company of scientists (or something like that) run by Carlton Drake (Riz Ahmed). He blows the assignment, is fired by his boss (Ron Chephas Jones from This is Us), and is dumped by his fiancée Anne Weying (the always reliable Michelle Williams). He is given a second chance when one of the doctors (Jenny Slate) sneaks Brock into the facility, where the mysterious goo (the symbiote) meshes with Eddie and makes him become the title character.

Eddie is clearly down on his luck but I am not sure if I would call him a total loser. He does try to do the right thing, even if he fails at it, such as being there for the local store clerk Mrs. Chen (Peggy Lu) after she is being harassed by a gang member. Still, despite the very good performance by Hardy, I can’t help but wonder how much better this Venom would have been if he were the villain of the MCU (where his enemy Spider-Man now resides).

Speaking of villains, anyone will tell you how a comic book movie baddie needs to be great if the film can have some success, and that is easily the biggest flaw of the film. Riz Ahmed (who is a good actor I am sure) approaches his character with no charm or menace, two of the most important things a cinema comic book character needs.

Another problem I had was with some of the special effects. When Venom does appear, it is (for the most part) convincing, yet the action sequences are so fast paced that we don’t get much time to revel at them. I am referring to a specific car chase scene. I truly would hate to fault director Ruben Fleischer, mainly since he made 2009’s highly underrated Zombieland. There is a fight scene, however, in Brock’s apartment that is rather fun to watch.

Parents, while the movie could have easily been given an R rating (Venom’s appetite has nearly no limits), the PG-13 rating is mainly for horrific images (for kids) and swearing (some S words, plus one F bomb). Nothing sexual (though some kissing), so I would say middle school and up. Maybe younger.

I can say without a doubt that Venom is not the worst comic book movie ever (I would take Tom Hardy over Topher Grace in 2007’s Spider-Man 3 any day of the week), but I just can’t recommend it. I only wish the studios would get along so we could get all the characters in one universe, but that is wishful thinking.

No surprise that the film does have a post credit scene, suggesting that there will be a sequel (Hardy has apparently signed on for two more films). While I am not sure it will happen, I do totally support the actor they have as the next villain. Especially if they moved this to the MCU.

 

Again, just wishful thinking.

 

Overall: Two Stars **

All the Money in the World (2017)

All the Money in the World

Gail (Michelle Williams), won’t let family troubles stop her from getting her son back.

It is impossible to talk about All the Money in the World without mentioning how the movie almost never happened. While the movie is far from perfect, I find all who made the film (mainly director Ridley Scott and star Christopher Plummer) deserve a load of respect.

The film tells the true story of how a teenager named John Paul Getty III (Charlie Plummer) was kidnapped and held for ransom until his family paid a vast sum of money. He still lives with is divorced mom Gail (Michelle Williams), but it is on his father’s (Andrew Buchan) where the money is. The teen’s grandfather, J. Paul Getty (Christopher Plummer, who is not related to the younger Plummer in real life), is an oil magnate, and is one of the richest in the world (if not the richest). He refuses to pay the ransom, basically giving off a vibe that would make the Grinch look like Gandhi. Gail is helped out with a co-worker of her father in law, Fletcher Chase (Mark Wahlberg).

 

Of course, it is the making of this movie that has been the stuff of fascination. The original actor who was to play the elder Getty was Kevin Spacey. However, after reports surfaced of his many past acts of sexual misconduct, Ridley Scott cut out all of his scenes, and replaced him with Plummer (not to mention bringing back Wahlberg and Williams for reshoots), and finished in a week (with a few weeks before the film was to be released). This is not the first time Ridley Scott has had to do something of this magnitude: 2000’s Gladiator was in trouble when a few scenes were still needed after the death of star Oliver Reed.

 

The original trailer with Spacey is still online, though Scott has said he does not plan on releasing the Spacey version. It was said that Spacey’s portrayal was more dark and sinister than Plummer’s, but I for one thought it was better the less evil Plummer appeared. Of course, we cannot root for this sinister man with all his cash, yet the veteran Plummer still gives him plenty of charm that makes us realize how he got rich in the first place. It is great acting.

 

Parents, the movie is R, mainly for swearing and violence (particularly one graphic scene). There is no real sex or nudity, so I would say High School and above.

 

Had the movie not been stained with the Spacey reports, perhaps we could have watched the movie for what it is, and not for what happened off camera. I personally would like to see the Spacey version, only to compare what might have been. Of course, no amount of money will allow me to see that.

 

Overall: Three and a Half Stars *** 1/2

The Greatest Showman (2017)

The Greatest Showman

P.T. Barnum (Hugh Jackman) and the birth of show business.

It should come as no surprise that The Greatest Showman has been a passion project of Hugh Jackman’s since 2009. He gives an all out performance that is the back bone of the film, which is more style than substance. Thankfully, the style more than makes up for it.

Jackman plays Barnum, the man who went through one of America’s first (if not the first) rags to riches story, from robbing street vendors as a kid to creating what is now known as the circus (though it did shut down for good in 2017). With his wife and childhood sweetheart Charity (Michelle Williams) and his two daughters (Austyn Johnson and Cameron Seely), Barnum gathers up the outcasts of society to perform a spectacle that changes history.

Such outcasts are the bearded lady (Keala Settle), with a voice that could blow the tent over, Tom Thumb (Sam Humphrey), the “general” and the Wheeler siblings, W.D. (Yahya-Abdul-Mateen II) and Anne (Zendaya, who is making her name known after years on the Disney Channel). Helping on the business side of things is Phillip Carlyle (Zac Efron).

For me, I had wished the film would have more musical numbers in the circus setting, not just in the real world. I understand they are telling the story of PT Barnum, but couldn’t just a few numbers be used with the spectacle and visuals he was known for?

Another issue I had with the film was that it spent a little too much time on the famous European singer Jenni Lind (Rebecca Ferguson). It is true that she has some stellar vocal numbers (though Ferguson is dubbed over), but it is too much time away that I wanted spent at the circus.

Thankfully, each number is so awe-inspiring that the movie is worth seeing just for them. I am not sure which is my favorite yet (I have the soundtrack to go through still), but the ones that come to mind are the raw power of “This is Me”, the romantic duet “Rewrite the Stars” and the redemption of “From Now On”.

Parents, it is so wonderful that there is a movie musical (besides a Disney one) like this you can take the kids to. It is PG, and that is only for some mild thematic moments (maybe not mild, but not scary).

The Greatest Showman is not the best of musicals of recent years (certainly not better than La La Land, though the lyricists worked on this film), but it is still nice to know that there are some movies that are willing to risk a lot just to entertain us with originality and awe.

Basically, what Barnum would have done.

 

Overall: Three and a Half Stars *** 1/2

My predictions for the 89th Academy Awards…

my-oscar-predictions

 

Every year at the Oscars, there is one battle that never fails to occur: the battle between my heart and my mind. After a few years of proof that my mind is often the better judge (since I missed Best Picture two years in a row), I am feeling a little more confident in my predictions this year (though my heart is still having it’s say).

As always, don’t forget you need to worry about all the catagories (even Best Documentary Short).

My predictions are…

 

Best Picture

atogt

  • Arrival
  • Fences
  • Hacksaw Ridge
  • Hell or High Water
  • Hidden Figures
  • La La Land
  • Lion
  • Manchester by the Sea
  • Moonlight

I feel confident in saying my two year drought in the main catagory is over. Nothing is stopping La La Land from winning Best Picture (if you had to pick a movie for second place, it would be Moonlight).

Will win/Should win: La La Land (95% sure)

Could Win: Moonlight (not really though)

 

Best Director

director

  • Denis Villeneuve, Arrival
  • Mel Gibson, Hacksaw Ridge
  • Damien Chazelle, La La Land
  • Kenneth Lonergan, Manchester by the Sea
  • Barry Jenkins, Moonlight

 

The Directors Guild is (for the most part) the best to predict Best Director, and they awarded it to Damien Chazelle. With La La Land and 2014’s  Whiplash, it is clear Chazelle is not going anywhere. Expect him to win on Oscar night, and become the youngest winner in the history of the catagory.

Will win/Should win: Damien Chazelle,  (95% sure)

Could win: Barry Jenkins, (very unlikely)

 

Best Actor

 

atogt

  • Casey Affleck, Manchester by the Sea
  • Andrew Garfield, Hacksaw Ridge
  • Ryan Gosling, La La Land
  • Viggo Mortensen, Captain Fantastic
  • Denzel Washington, Fences

This is one of the main races of the night, between Casey Affleck and Denzel Washington (Ryan Gosling would be trailing behind in third). Affleck has won many of the early awards, but Washington got the SAG award (which he had never won before, crazy as that sounds). Both performances (as well as the other three) are wonderful, but there are two factors left to bring up.

The first is of Affleck’s alledged accusations of sexual abuse, which has apparently caught up with him. The second is, with everyone fighting the “Oscars so white”, it looks like the edge is being given to Denzel, but barely.

Will/Should win: Denzel Washington (70% certain)

Could win: Casey Affleck (perhaps even Ryan Gosling)

 

Best Actress

 

atogt

  • Isabelle Huppert, Elle
  • Ruth Negga, Loving
  • Emma Stone, La La Land
  • Natalie Portman, Jackie
  • Meryl Streep, Florence Foster Jenkins

Natalie Portman and Emma Stone are the only performances I have seen so far. What Portman did was pretty much bring the late Mrs. Jackie Kennedy back to life. Still, no performance touched my soul more so than Emma Stone did in La La Land (capped off mainly when she sang “Audition”). She won the SAG award, which seems to have cemented her status in riding the “La La” train to her first Oscar.

Will win/Should Win: Emma Stone

Could win: Natalie Portman

 

Best Supporting Actor

 

atogt

  • Mahershala Ali, Moonlight
  • Jeff Bridges, Hell or High Water
  • Lucas Hedges, Manchester by the Sea
  • Dev Patel, Lion
  • Michael Shannon, Nocturnal Animals

I feel no one has been giving much love to Lucas Hedges for Manchester by the Sea. He shows a wonderful growing talent that reminded me of Timothy Hutton’s Oscar winning performance in Ordinary People (1980).

Still, expect the win to go to Ali for Moonlight. Despite being only in the first third of the film, it is the one that you remember the most after the film ends.

 

Will win: Mahershala Ali (90% sure)

Should win: Lucas Hedges

Could win: Dev Patel

 

Best Supporting Actress

aaa

  • Viola Davis, Fences
  • Naomie Harris, Moonlight
  • Nicole Kidman, Lion
  • Octavia Spencer, Hidden Figures
  • Michelle Williams, Manchester by the Sea

 

Truly, this is the easiest catagory of the night. While I admired all the performances (especially Naomie Harris), it is clear that Viola Davis will win for her electric performance in Fences. Done deal.

Will win/Should Win: Viola Davis (100% sure)

Could win: Naomie Harris (in an alternate universe)

 

Best Animated Feature Film

atogt

  • Kubo and the Two Strings
  • Moana
  • My Life as a Zucchini
  • The Red Turtle
  • Zootopia

Every year the Oscars seems to have at least one upset,and I am banking on Kubo and the Two Strings beating Zootopia (which is favored). Why? First, Zootopia has no other nominations while Kubo and the Two Strings has two. Second, both Zootopia and Moana are Disney, which may split the vote. Finally (and this is my heart taking control), Kubo was my favorite movie of last year, and I will be so happy if it wins.

 

Will win/Should win: Kubo and the Two Strings (60% sure)

Could win: Zootopia

 

Best Foreign Film

atogt

  • Land of Mind (Denmark)
  • A Man Called Ove (Sweden)
  • The Salesman (Iran)
  • Tanna (Australia)
  • Toni Erdmannn (Germany)

After the visa ban by President Trump, Asghar Farhadi is planning on boycotting the Oscars. This could help his film The Salesman win an Oscar (he won in this catagory for 2011’s masterpiece A Separation).

Will win: The Salesman (75%)

 

Best Original Screenplay

atogt

  • Hell or High Water
  • La La Land
  • The Lobster
  • Manchester by the Sea
  • 20th Century Women

While La La Land brought the old school musical and meshed it with the world of today, expect the win to go to Manchester by the Sea. It is very rare to see a movie where tragedy meets with comedy so well, but that is what Kenneth Lonergan did.

Will win/Should win: Manchester by the Sea (80% sure)

Could win: La La Land

 

Best Adapted Screenplay

atogt

  • Arrival
  • Fences
  • Hidden Figures
  • Lion
  • Moonlight

This may be the only catagory that Hidden Figures can get a win, but expect it to go to Moonlight.

Will win: Moonlight (85% sure)

Could win: Hidden Figures

Should win: Fences (which would make it a posthumous win for August Wilson)

 

Best Costume Design

atogt

 

  • Allied
  • Fantastic Beasts and Where to Find Them
  • Florence Foster Jenkins
  • Jackie
  • La La Land

 

Will win/Should win: Jackie (75% sure)

Could win: La La Land

 

Best Original Song

atogt

  • “Audition”, La La Land
  • “Can’t Stop the Feeling”, Trolls
  • “City of Stars”, La La Land
  • “The Empty Chair”,  Jim: The James Foley Story
  • “How Far I’ll Go”, Moana

Lin’Manuel Miranda could possibly get his EGOT if both songs from La La Land split the vote. While that is possible, expect the Oscar to go to “City of Stars”, a song very difficult to get out of your head (not that you would want to anyway).

Will win/Should win: “City of Stars”, La La Land (75% sure)

Could win: “How Far I’ll Go”, Moana

 

Best Original Score

atogt

  • Jackie
  • La La Land
  • Lion
  • Moonlight
  • Passengers

Another easy one. Check off La La Land, which is easily a staple in my Itunes library.

Will win/Should Win: La La Land (95% sure)

 

Best Documentary Feature

 

atogt

  • Fire at Sea
  • I am Not your Negro
  • Life, Animated
  • O.J.: Made in America
  • The 13th

I have only seen Life, Animated, but I have heard nothing by praise for O.J. (the movie, not the man).

Will win: O.J.: Made in America (85% sure)

Could win: The 13th

Should win: Life, Animated

Best Documentary Short

atogt

  • 4.1 Miles
  • Extremis
  • Joe’s Violin
  • Watani: My Homeland
  • The White Helmets

Will win: Joe’s Violin (70% sure)

 

Best Makeup & Hairstyling

 

ATOGT.jpg

 

  • A Man Called Ove
  • Star Trek Beyond
  • Suicide Squad

Will win: Star Trek Beyond (80% sure)

 

Best Production Design

ATOGT.jpg

  • Arrival
  • Fantastic Beasts and Where to Find Them
  • Hail Caesar!
  • La La Land
  • Passengers

Will win/Should win: La La Land (80% sure)

 

Best Film Editing

ATOGT.jpg

 

  • Arrival
  • Hacksaw Ridge
  • Hell or High Water
  • La La Land
  • Moonlight

Will win/Should win: La La Land (85% sure)

Could win: Hacksaw Ridge

 

Best Cinematography

atogt

  • Arrival
  • La La Land
  • Lion
  • Moonlight
  • Silence

Will win: La La Land (80% sure)

Could win: Moonlight

 

Best Sound Editing

atogt

  • Arrival
  • Deepwater Horizon
  • Hacksaw Ridge
  • La La Land
  • Sully

Will win: Hacksaw Ridge (70% sure)

Could win: La La Land

 

Best Sound Mixing

atogt

  • Arrival
  • Deepwater Horizon
  • Hacksaw Ridge
  • La La Land
  • Sully

Will win: La La Land

Could win: Hacksaw Ridge or Arrival

 

Best Visual Effects

atogt

  • Deepwater Horizon
  • Doctor Strange
  • The Jungle Book
  • Kubo and the Two Strings
  • Rogue One: A Star Wars Story

Will win/Should win: The Jungle Book (85% sure)

Could win: Doctor Strange

 

Best Animated Short

ATOGT.jpg

  • Blind Vaysha
  • Borrowed Time
  • Pear Cider and Cigarettes
  • Pearl
  • Piper

Will win/Should win: Piper (75% sure)

Could win: Pear Cider and Cigarettes

 

Best Live Action Short Film

ATOGT.jpg

  • Ennemis Interieurs
  • La Femme et le TGV
  • Silent Nights
  • Sing
  • Timecode

 

Will win: Timecode (60% sure)

 

Comment and share your predictions.

 

And the Oscar Nominees (and my thoughts) are…(2017)

oscars-2017

In years past, the president of the Academy would be accompanied by some known movie star and announce the list of the nominees to the movie going public. This year, it was streamed live with interviews with past Oscar winners and nominees such as Jennifer Hudson, Ken Watanabe, Gabourey Sidibe (I forgot she had comic chops), and Jason Reitman. It was a nice change of pace.

Here are the nominees (and my thoughts)…

Best Picture

  • Arrival
  • Fences
  • Hacksaw Ridge
  • Hell or High Water
  • Hidden Figures
  • La La Land
  • Lion
  • Manchester by the Sea
  • Moonlight

 

Thoughts: I wish a tenth spot would open up for Silence, but overall, nothing too surprising here.

 

Best Director

  • Damien Chazelle, La La Land
  • Mel Gibson, Hacksaw Ridge
  • Barry Jenkins, Moonlight
  • Kenneth Lonergan, Manchester by the Sea
  • Denis Villeneuve, Arrival

 

Thoughts: Again, no love for Scorsese on his work for Silence, but each of the nominees were no surprise to me. Sad though there was no room for Denzel Washington for Fences.

 

Best Actor

  • Casey Affleck, Manchester by the Sea
  • Andrew Garfield, Hacksaw Ridge
  • Ryan Gosling, La La Land
  • Viggo Mortensen, Captain Fantastic
  • Denzel Washington, Fences

 

Thoughts: No surprise, as these were the five heavy hitters (sorry Tom Hanks. Tough year.)

 

Best Actress

  • Isabelle Huppert, Elle
  • Ruth Negga, Loving
  • Natalie Portman, Jackie
  • Emma Stone, La La Land
  • Meryl Streep, Florence Foster Jenkins

 

Thoughts: Here was the category that surprised me. As of now, I have only seen two of the nominees (Jackie and La La Land). Huppert’s surprise win at the Globes probably helped her here, as did Streep’s speech at the Globes (and the obvious fact that she is Meryl Streep). Still, the biggest surprise is Ruth Negga, who was probably the reason there is no nominations for Annette Benning (20th Century Women) or (more shockingly) Amy Adams (Arrival).

 

Best Supporting Actor

  • Mahershala Ali, Moonlight
  • Jeff Bridges, Hell or High Water
  • Lucas Hedges, Manchester by the Sea
  • Dev Patel, Lion
  • Michael Shannon, Nocturnal Animals

 

Thoughts: Despite a Golden Globe win in this category, Michael Shannon’s co-star, Aaron Taylor-Johnson, did not get a nomination. I was very happy though for Lucas Hedges, who did spellbinding work in Manchester by the Sea. This one may be a tight race.

 

Best Supporting Actress

  • Viola Davis, Fences
  • Naomie Harris, Moonlight
  • Nicole Kidman, Lion
  • Octavia Spencer, Hidden Figures
  • Michelle Williams, Manchester by the Sea

 

Thoughts: No surprise, and the main category I can predict right here and now. This is a clear win for Viola Davis.

 

Best Animated Feature

  • Kubo and the Two Strings
  • Moana
  • My Life as a Zucchini
  • The Red Turtle
  • Zootopia

 

Thoughts: Either Zucchini or The Red Turtle would explain why Finding Dory was not on here, which did not surprise me at all.

 

Best Cinematography

  • Arrival
  • La La Land
  • Lion
  • Moonlight
  • Silence

 

Thoughts: Nice to see Silence recognized for at least one category.

 

Best Costume Design

  • Allied
  • Fantastic Beasts and Where to Find Them
  • Florence Foster Jenkins
  • Jackie
  • La La Land

 

 

Best Documentary

  • Fire at Sea
  • I am Not Your Negro
  • Life, Animated
  • O.J.: Made in America
  • 13th

 

Thoughts: I am very happy that Life, Animated was recognized, though I have heard nothing but praise for O.J. (the movie, not, you know, the player).

Best Documentary Short Subject

  • Extremis
  • 4.1 Miles
  • Joe’s Violin
  • Watani: My Homeland
  • The White Helmets

 

Best Film Editing

  • Arrival
  • Hacksaw Ridge
  • Hell or High Water
  • La La Land
  • Moonlight

 

Best Make Up and Hairstyling

  • A Man Called Ove
  • Star Trek Beyond
  • Suicide Squad

 

Best Original Score

  • Jackie, Mica Levi
  • La La Land, Justin Hurwitz
  • Lion, Volker Bertelmann and Dustin O’Halloran
  • Moonlight, Nicholas Britell
  • Passengers, Thomas Newman

 

Best Original Song

  • “Audition (The Fools Who Dream)”, La La Land
  • “Can’t Stop the Feeling”, Trolls
  • “City of Stars”, La La Land
  • “The Empty Chair”,  Jim: The James Foley Story
  • “How Far I’ll Go”, Moana

 

Best Foreign Language Film

  • Land of Mine, Denmark
  • A Man Called Ove, Sweden
  • The Salesman, Iran
  • Tanna, Australia
  • Toni Erdmann, Germany

 

Best Production Design

  • Arrival
  • Fantastic Beasts and Where to Find Them
  • Hail, Caesar!
  • La La Land
  • Passengers

 

Best Animated Short Film

  • Blind Vaysha
  • Borrowed Time
  • Pear Cider and Cigareets
  • Pearl
  • Piper

 

Best Live Action, Short Subject

  • Ennemis Interieurs
  • La Femme et le TGV
  • Silent Nights
  • Sing
  • Timecode

 

Best Sound Editing

  • Arrival
  • Deepwater Horizon
  • Hacksaw Ridge
  • La La Land
  • Sully

 

Best Sound Mixing

  • Arrival
  • Hacksaw Ridge
  • La La Land
  • Rogue One: A Star Wars Story
  • 13 Hours: The Secret Soldiers of Benghazi

 

Thoughts: Yes, a Michael Bay movie is nominated for an Oscar.

 

Best Visual Effects

  • Deepwater Horizon
  • Doctor Strange
  • The Jungle Book
  • Kubo and the Two Strings
  • Roge One: A Star Wars Story

 

Best Adapted Screenplay

  • Arrival, Eric Heisserer
  • Fences, August Wilson
  • Hidden Figures, Allison Schroeder and Theodore Melfi
  • Moonlight, Barry Jenkins and Tarell Alvin McCraney
  • Lion, Luke Davies

 

Best Original Screenplay

  • Hell or High Water, Taylor Sheridan
  • La La Land, Damien Chazelle
  • The Lobster, Yorgos Lanthimos and Efthymis Filippou
  • Manchester by the Sea, Kenneth Lonergan
  • 20th Century Women, Mike Mills

 

Congrats are in order to La La Land for tying All about Eve (1950) and Titanic (1997) with 14 nominations. More importantly, congratulations are needed for the Academy for no longer having to hear about “Oscars so white”.

The 89th Academy Awards will take place on February 26th, 2017. Jimmy Kimmell will be hosting.

My predictions will be announced in the weeks to come.

 

Manchester by the Sea (2016)

manchester-by-the-sea

From Left to Right, Casey Affleck and Lucas Hedges are quite the acting combo in “Manchester by the Sea”

It was a very strange feeling to me.

After seeing Manchester by the Sea, I left the theater and did not know what to think. Did I like it? Was it one of the best movies of the year? I could not say. As I was leaving the parking lot, I felt like I was catching some sort of virus. The movie had begun its process of growing on me, and has ever since. To the previous two questions, I say yes without a single thought of hesitation.

The movie centers on Lee Chandler (Casey Affleck), a plumber/repairman in Boston. He is told that his brother Joe (Kyle Chandler) has died of a heart disease that he was diagnosed with years earlier. He is to break the news to Joe’s son Patrick (Lucas Hedges), and discovers that Joe left Lee as his guardian.

The rest of the plot is not for me to reveal, only for you to discover. We learn Lee has had a past he regrets in the town of Manchester, and we get flashback scenes including those with Lee’s ex-wife Randi (Michelle Williams, wonderful as always) and Patrick’s drug addict of a mom (Gretchen Mol).

Still, it is the performances by Affleck and Hedges that carry this movie to the next level. Each deserve Oscar consideration. Affleck (younger brother of Ben) is considered to be the front-runner for Best Actor this year, and it is clear why. His performance is not filled with grand speeches or over the top moments (well a few). It is a contained performance, one that we identify with, or at least try to. He seems like a person we would meet on the street but forget if we only were talking to him for five minutes or so.

Lucas Hedges gives one of the better breakthrough performances in recent memory as Patrick. I have seen teens like this in my life who act and feel and talk and express emotions this way. It is a transcendent performance.

Parents, the R rating is justified. There is a lot of swearing that any middle schooler or High Schooler would hear, but the content of the film is too much for anyone not older than seventeen (maybe a mature 15 or 16-year-old, maybe). There is also sexual content, as Patrick is trying to have sex with one of his girlfriends (he has two that don’t know about the other), and we see a teenage girl in lingerie.

Is Manchester by the Sea an easy film to sit through? Heavens, no. Yet at the same time, you can’t take your eyes off of it. Written and Directed by Kenneth Lonergan (who should get Oscar consideration for both writing and directing), the film does seem to go a little long, but it will stay with you for as long as it wants to. I doubt it is leaving my mind and soul any time soon, and I hope it doesn’t.

 

Overall: Four and a Half Stars **** 1/2