The Top 20 Movies of 2018

2018 best

The honorable mentions…

Another great year of movies is in the books.

Toward the end of 2018, I realized I actually was able to see nearly all of the movies I wanted to in time (though there are a few I admit I am still on the look out for).

As was the case for the 2017 list, I decided to make a top 20 list , because numbers 11-20 were too good to ignore. If you really want to cut the list in half, gather all six infinity stones, put them in the infinity gauntlet, and…SNAP! (Too soon?)

 

As the title character in the next film would say, “Off we go!”…

 

20.

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The minds at Disney are no strangers to taking risks, and doing a sequel to the 1964 classic Mary Poppins is one of their biggest risks yet. Still, even 54 years later, Mary Poppins Returns is a success due to new original music, fine performances, two amazing cameos, and the practically perfect Emily Blunt.

 

19.

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There is no doubt that The Favourite will not appeal to everyone, as it has a very dark sense of humor. In time, you will be able to see the film for its witty script and impeccable acting.

 

18.

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As 2018’s highest grossing film, Black Panther was also one of the best critical successes in the history of superhero films. Cultural relevance, sublime action, and wonderful acting were sure helpful, as it may become the first superhero flick to be nominated for Best Picture.

 

17.

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Deep, thoughtful, and chilling are some of the best ways one can describe First Reformed. As many great movies do, it provides more questions than answers. Not to mention Ethan Hawke’s uncanny performance.

 

16.

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In one of the biggest surprises of the year, Crazy Rich Asians told us the story of characters that are relatable and worthy to cheer for. Based off of a book, there are more films to come, of which I am looking forward to with a big smile.

 

15.

 

mid90s

 

In his directorial debut, Jonah Hill’s Mid90s explores the lives of kids growing up in the search of someone to look up to. The result is one of the years most authentic films.

 

14.

cyefm

 

Lee Israel was an author who made money by forging fake letters from popular authors, and the portrayal by Melissa McCarthy of her in Can you ever forgive me? is a revelation (Richard E. Grant is great as well). She has had strikeouts in her film career, yet this is a home run that clears the stadium.

 

13.

widows

 

The heat is on blast in Steve Mcqueen’s Widows, with an all-star cast on the top of their game (led by the always wonderful Viola Davis). Just because it is being somewhat overlooked does not take away from its brilliance.

 

12.

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One of the most human love stories in the last couple years of cinema, If Beale Street could talk is one that may not have the outcomes most are wishing for. They are the outcomes that are the right ones.

 

11.

 

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Newcomer (and Golden Globe nominee) Elsie Fisher shines through all of Eighth Grade, another coming of age story that oozes with real authentic material. Gucci, indeed.

 

10.

 

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Your heart may have been rock solid if it wasn’t feeling warm after witnessing Green Book. Both Ali and Mortensen give Oscar caliber performances, giving us the ultimate bromance of 2018.

 

9.

 

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As of this writing, I have yet to meet anyone I have mentioned Spider-Man: Into the Spider-Verse to come back to me saying it was a bad movie. Believe the hype, for this is the best Spidey cinema has produced, the best animated film of 2018, and easily a post credit scene better than anything the MCU has offered.

 

8.

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Sorry if the above image brings back bad memories, but that is how big of a movie Avengers: Infinity War was. Even before the “snap heard round the world”, the film was unlike any superhero film we have seen before. Endgame cannot come soon enough.

 

7.

hereditary

 

A Quiet place had a nice premise, as did the currently popular (but not entirely great) Bird Box, but no film this year left me with such dread as Hereditary did. This movie will leave a unique bitter taste in your mouth for sometime after the credits, and I mean that as a compliment.

 

6.

blackkklansmen

 

In no way would BlacKKKlansmen have been as wonderful as it was if it weren’t directed by Spike Lee. Only he could do justice to a true story about an African America undercover cop (an awesome debut by John David Washington, son of Denzel)  who joins the KKK. Yes, it gets political, but it is super intriguing.

 

5.

asib

 

Having a good directorial debut is one thing, but there is another level that Bradley Cooper is on in A Star is Born. He gives one of his best performances, does the fourth remake of a movie, and lets Lady Gaga show she has more than singing talent. Yeah, expect this to be mentioned more than once come Oscar night.

 

4.

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You can name any superhero you want, but none could hold a candle to the bravery of Fred Rogers, even if he is not completely well-known to kids today. Thankfully, the ever charming Won’t you be my Neighbor? is a chance to remind us not just of the man, but (more importantly) his ideals. A lovely day indeed.

 

3.

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Not since 2013’s Gravity has flying seem so realistic. Damien Chazelle’s First Man, the story of Neil Armstrong (an understated Ryan Gosling) walking on the moon, brings tension and grit to the highest of levels. Months later, the sound effects are still giving me the chills of space.

 

2.

roma

 

I have mentioned how Netflix’s original films are not always great, and while I have not seen all of them, I doubt many can come close to Roma. Director Alfonso Cuaron (director of the previously mentioned Gravity) delivers a passion project that is nothing short of sublime. It may be on Netflix, but the film deserves to be seen on the biggest screen you can see it on. Hands down 2018 most gorgeous film (even the cleaning of dog crap looked beautiful).

 

1.

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Throughout 2018, I wrestled up and down between my favorite film of the year, and then I came across a hidden treasure, Leave No Trace. The first film in eight years from director Debra Granik (her last film was the masterful 2010 film Winter’s Bone with Jennifer Lawrence), the simple story of a father (Ben Foster) and his daughter (amazing new comer Thomasin McKenzie) who try to avoid civilization is both heartbreaking and beautiful. It hit me in the feels more than any other film last year. You may not have heard of it, but it is out on DVD, and is more than worth looking for. Scratch that, it is worth buying.

Mid90s (2018)

mid90s

13 year old Stevie (Sunny Suljic) has set his mind on skateboarding.

 

It would come as no surprise to me if there were many parts of Mid90s that are based off of events from Jonah Hill growing up. He was born in 1983, making him near the same age as the films protagonist, but it goes deeper than just that. The movie is not about a set of performances (all great), but on mood and setting. From super soakers to Walkman CD players (which I doubt I am the only one who does not miss) to Seal’s “Kiss from a Rose”, Mid90s is indeed its own form of period piece.

The protagonist is 13-year-old Stevie (newcomer Sunny Suljic). He lives at home with his mom (Katherine Waterston) and older brother Ian (Oscar nominee Lucas Hedges). We see Stevie in that stage of life where what is “cool” isn’t anymore, and new interests must be found. He decides on skateboarding, and discovers a group of (mostly) older kids to hang out with.

The leader is Ray (Na-kel Smith), also easily the best skater of the bunch (and one of the best in town). His best friend is F***S*** (Olan Prenatt), called so due to his tendency to say that phrase followed by “That is Crazy!”. The youngest in the group (closest to Stevie in age) is Ruben (Gio Galicia), who is no longer the runt of the litter. The final member is Fourth Grade (Ryder McLaughlin), so-called because it represents his IQ (or lack there of).

There are many things that work so well in Mid90s. Take for example the time it takes for Stevie to be excepted. There is clearly a care for the characters that Hill (who also wrote the film, his first ever directed) shows us in how he takes his time for them to develop. Stevie is clearly a nice kid, even trying to give his older brother a thoughtful birthday gift despite the fact that Ian lets out all his frustrations on his kid brother. Yet the movie is smart enough to know that Ian (who clearly has a thing for orange juice) does love his brother deep down, but has no one else to turn his anger on.

Parents, this far from a kids movie. There is clearly a lot of swearing, some violence and many thematic elements. There is also one of the most uncomfortable sexual content scenes I have witnessed in a long time, which involves Stevie at a party with an older girl. Nothing is really shown, but the atmosphere is very unsettling (and he describes what happens afterwards.) The R rating is more than justified.

Mid90s packs a lot into the short runtime of 85 minutes, but that does not at all take away from it. There are many clichés that could have occurred in the film, but are (for the most part) avoided. I urge my fellow millennials to search this film out like one may search out an old yearbook.

Overall: Four Stars ****