There is a sense of some old school magic in the real life story inspired film Green Book. This magic appears in (nearly) everything from the performances to the chemistry to the message to the drama as well as comedy. It has been a while since I had a warm glow inside after leaving the theater.
I doubt I was alone when I heard of the title. It refers to an actual book that was distributed in the Jim Crow era for African-Americans, letting them know which places would allow them to visit if they were to travel in the southern states. This is one of the last things given to Tony “Lip” Vallelonga (Viggo Mortensen), an Italian bouncer hired by musician Dr. Don Shirley (Mahershala Ali) to aid him through his musical tour in the south for two months. Lip assures him that, down south, “there’s gonna be problems.”
There should be no surprise when you realize the heart of the movie is the chemistry between Mortensen and Ali. While Ali (who won an Oscar for 2016’s Moonlight) is much more subtle and nuanced, Mortensen (someone I always thought was very underrated as an actor) is much more out there. He eats a lot (and I mean a lot), probably does not know how to whisper, and can be rather ignorant at times. That does not, however, mean he is stupid. We don’t laugh at the racism, but at the situation in which they are said. Both actors give rather wonderful performances in their own right with each of their characters showing multiple layers as the film progresses.
Parents, this is one of the rare times I actually applaud the MPAA, because they could have easily made it rated R but thankfully it is PG-13. There is swearing (I think two F bombs and one use of the N word), a little violence (nothing graphic) and no real sexuality (aside from one scene that I am not sure if it was needed for the story). Middle School and above.
One of the bigger surprises is knowing that the film was directed by Peter Farrelly, who is more well-known for comedies like Dumb and Dumber (1994) and There’s Something about Mary (1998). Green Book (which Farrelly wrote with Brian Hayes Currie and Tony’s real life son Nick, who also has a minor role) has given a film that does have some speed bumps on the way, but delivers a film that crescendos to a very satisfying film that will make you want to go back and experience more than once.
Overall: Four Stars ****