The Top 20 Movies of 2018

2018 best

The honorable mentions…

Another great year of movies is in the books.

Toward the end of 2018, I realized I actually was able to see nearly all of the movies I wanted to in time (though there are a few I admit I am still on the look out for).

As was the case for the 2017 list, I decided to make a top 20 list , because numbers 11-20 were too good to ignore. If you really want to cut the list in half, gather all six infinity stones, put them in the infinity gauntlet, and…SNAP! (Too soon?)

 

As the title character in the next film would say, “Off we go!”…

 

20.

mpr

The minds at Disney are no strangers to taking risks, and doing a sequel to the 1964 classic Mary Poppins is one of their biggest risks yet. Still, even 54 years later, Mary Poppins Returns is a success due to new original music, fine performances, two amazing cameos, and the practically perfect Emily Blunt.

 

19.

tf

There is no doubt that The Favourite will not appeal to everyone, as it has a very dark sense of humor. In time, you will be able to see the film for its witty script and impeccable acting.

 

18.

bp

As 2018’s highest grossing film, Black Panther was also one of the best critical successes in the history of superhero films. Cultural relevance, sublime action, and wonderful acting were sure helpful, as it may become the first superhero flick to be nominated for Best Picture.

 

17.

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Deep, thoughtful, and chilling are some of the best ways one can describe First Reformed. As many great movies do, it provides more questions than answers. Not to mention Ethan Hawke’s uncanny performance.

 

16.

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In one of the biggest surprises of the year, Crazy Rich Asians told us the story of characters that are relatable and worthy to cheer for. Based off of a book, there are more films to come, of which I am looking forward to with a big smile.

 

15.

 

mid90s

 

In his directorial debut, Jonah Hill’s Mid90s explores the lives of kids growing up in the search of someone to look up to. The result is one of the years most authentic films.

 

14.

cyefm

 

Lee Israel was an author who made money by forging fake letters from popular authors, and the portrayal by Melissa McCarthy of her in Can you ever forgive me? is a revelation (Richard E. Grant is great as well). She has had strikeouts in her film career, yet this is a home run that clears the stadium.

 

13.

widows

 

The heat is on blast in Steve Mcqueen’s Widows, with an all-star cast on the top of their game (led by the always wonderful Viola Davis). Just because it is being somewhat overlooked does not take away from its brilliance.

 

12.

ibsct

 

One of the most human love stories in the last couple years of cinema, If Beale Street could talk is one that may not have the outcomes most are wishing for. They are the outcomes that are the right ones.

 

11.

 

8g

 

Newcomer (and Golden Globe nominee) Elsie Fisher shines through all of Eighth Grade, another coming of age story that oozes with real authentic material. Gucci, indeed.

 

10.

 

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Your heart may have been rock solid if it wasn’t feeling warm after witnessing Green Book. Both Ali and Mortensen give Oscar caliber performances, giving us the ultimate bromance of 2018.

 

9.

 

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As of this writing, I have yet to meet anyone I have mentioned Spider-Man: Into the Spider-Verse to come back to me saying it was a bad movie. Believe the hype, for this is the best Spidey cinema has produced, the best animated film of 2018, and easily a post credit scene better than anything the MCU has offered.

 

8.

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Sorry if the above image brings back bad memories, but that is how big of a movie Avengers: Infinity War was. Even before the “snap heard round the world”, the film was unlike any superhero film we have seen before. Endgame cannot come soon enough.

 

7.

hereditary

 

A Quiet place had a nice premise, as did the currently popular (but not entirely great) Bird Box, but no film this year left me with such dread as Hereditary did. This movie will leave a unique bitter taste in your mouth for sometime after the credits, and I mean that as a compliment.

 

6.

blackkklansmen

 

In no way would BlacKKKlansmen have been as wonderful as it was if it weren’t directed by Spike Lee. Only he could do justice to a true story about an African America undercover cop (an awesome debut by John David Washington, son of Denzel)  who joins the KKK. Yes, it gets political, but it is super intriguing.

 

5.

asib

 

Having a good directorial debut is one thing, but there is another level that Bradley Cooper is on in A Star is Born. He gives one of his best performances, does the fourth remake of a movie, and lets Lady Gaga show she has more than singing talent. Yeah, expect this to be mentioned more than once come Oscar night.

 

4.

wybmn

You can name any superhero you want, but none could hold a candle to the bravery of Fred Rogers, even if he is not completely well-known to kids today. Thankfully, the ever charming Won’t you be my Neighbor? is a chance to remind us not just of the man, but (more importantly) his ideals. A lovely day indeed.

 

3.

fm

 

Not since 2013’s Gravity has flying seem so realistic. Damien Chazelle’s First Man, the story of Neil Armstrong (an understated Ryan Gosling) walking on the moon, brings tension and grit to the highest of levels. Months later, the sound effects are still giving me the chills of space.

 

2.

roma

 

I have mentioned how Netflix’s original films are not always great, and while I have not seen all of them, I doubt many can come close to Roma. Director Alfonso Cuaron (director of the previously mentioned Gravity) delivers a passion project that is nothing short of sublime. It may be on Netflix, but the film deserves to be seen on the biggest screen you can see it on. Hands down 2018 most gorgeous film (even the cleaning of dog crap looked beautiful).

 

1.

LNT.jpg

 

Throughout 2018, I wrestled up and down between my favorite film of the year, and then I came across a hidden treasure, Leave No Trace. The first film in eight years from director Debra Granik (her last film was the masterful 2010 film Winter’s Bone with Jennifer Lawrence), the simple story of a father (Ben Foster) and his daughter (amazing new comer Thomasin McKenzie) who try to avoid civilization is both heartbreaking and beautiful. It hit me in the feels more than any other film last year. You may not have heard of it, but it is out on DVD, and is more than worth looking for. Scratch that, it is worth buying.

The Hate U Give (2018)

The Hate u give

After the death of her childhood friend, Starr’s life is forever changed.

It did not take long to see how preachy The Hate U Give would be, let alone how well-timed it has been released. I admit it took me a while to realize that maybe, just maybe, it needs to be preachy. It’s message is clear, and, for the most part, delivers it well.

No small part of that revolves around its main young star (pun intended) Amandla Stenberg (who, once upon a time, was Rue of The Hunger Games). She is Starr, who lives in one very run down neighborhood with her family. She informs us she was “nine years old when she had the talk” from her dad Mav (Russell Hornsby), about the statutes of the black panthers (not the Wakanda kind).

Flash forward to present day, where she goes to a private school (mostly white) since the public school is only a setting of chaos and trouble. She tries to live two separate lives, acting as “non-ghetto” as she can, even around her two friends Maya (Megan Lawless) and Hailey (former Disney Channel star Sabrina Carpenter). She even tries the act in front of her boyfriend Chris (K.J. Apa), who is not your typical movie boyfriend (which is a compliment).

One night, while at a party in her home neighborhood, she reunites with Khalil (Algee Smith), one of her best friends growing up (and first crush). Tragedy strikes when, after the party, he is pulled over and shot dead by a cop. The movie (based off of the book by Angie Thomas, which I will need to read soon) is far too smart to be about whether this cop is going to be arrested. It is far more than that.

There is grounded wisdom and solace that Starr gets mainly from her parents, which are played nicely by Hornsby and Regina Hall. We get also so very nice subtle work by Anthony Mackie (Falcon from the MCU) as the feared leader King, who once worked with Mav before the latter left it all behind. There is also Mav’s police officer brother Carlos, played by Common. Starr’s siblings are also nicely played, with Lamar Johnson as Seven, and TJ Wright as Sekani.

Parents, I have heard that the book does have some sexual content in it. There is not much of that here, aside from some kissing and mention of one character trying to have sex with a girl and failing (nothing shown). The PG-13 rating is mainly for the violence, swearing, and (most of all) the thematic situations. High School and up (maybe mature middle schoolers).

As stated before, the movie does get to be rather preachy at times. Perhaps I was just thinking a little too much of Spike Lee’s masterpiece Do the Right Thing, which may be unfair to compare this film to (or almost any film to). Director George Tillman Jr. does do a fine job with direction and pacing, and the film does give more proof that young Amandla Stenberg is a light that will only get brighter as her career progresses.

It is as timely a movie as any out there right now, so yeah, it is definitely worth the watch.

Overall: Four Stars ****

 

BlacKkKlansman (2018)

Blackkklansman

Phillip “Flip” Zimmerman (Adam Driver) is somewhat suckered into Ron Stallworth’s (John David Washington) plan of infiltrating the local branch of the KKK.

It should come as no surprise that the brilliance of BlacKkKlansman is mainly because it is made by Spike Lee. Not only could this movie be made well by another director, but I don’t think any other director would have guts to make it.

Set in the 1970s, the film tells the true story of a new African-American police officer in Colorado (which I never once thought of as being a state with racism) named Ron Stallworth (John David Washington, real life son of Denzel). After some time of working in the records room, he gets his chance at going undercover. He eventually finds himself convincing a KKK member (Ryan Eggold) to give him a chance at becoming a member. It is here where he enlists Flip (Adam Driver) to cover for him in the person to person meetings, while Ron handles the phone conversations. It works so well they even get to convincing the Grand Wizard himself, David Duke (a nearly unrecognizable Topher Grace, and not just because he has a mustache). There is also a side romance between Ron and Patrice (Laura Harrier), a local college student known for being vocal about her race.

If reading this review (or seeing the trailer) has made you feel a little guilty on laughter, don’t worry, because there will be a lot of it. The characters know they are in a situation that is ludicrous, but go thru it anyway. There are many characters that do come across as somewhat stereotypical, mainly that of the married couple Felix and Connie (Jasper Paakkonen and Ashlie Atkinson, respectfully). Still, there are others who do actually seem like they are right in their life choices, even if that is racism.

All the acting is stellar. Washington does show some signs of his (arguably more famous) dad, but still makes it his own performance. I am now becoming more and more convinced that Adam Driver will be able to have a much more standout career as a talented actor and not just the guy who killed Han Solo (I would say spoiler, but you should know this by now). One of the most dramatic moments comes when two characters are making speeches. The first is David Dukes (again, was that really Topher Grace?), and the second is an old African-American survivor telling his story of racism. He is played by Harry Belafonte, who gives a prime example of making a great scene out of little screen time.

Parents, the movie is, of course, rated R (as almost every Spike Lee film is). There is no sexual scenes (just talking) and some violence. The R rating is mainly due to the language (mainly the N word, which is spouted an infinite number of times). I would say High School and above, but I should mention I did see at least one child in my screening who could not have been more than ten years old.

Now to the ending of the film, which is one that will be talked about for a long time. True, it does get political (it should not surprise us how Lee would feel about President Trump, especially when you see the cameo in the first five minutes of the film). Nevertheless, the film does end the way it should, stating that this problem of racism and hatred is still rampant today, and is right in front of our eyes.

Kind of reminds me of that quote from Rodney King.

Overall: Five Stars *****