Vice (2018)

Vice

Christian Bale as Former Vice President Dick Cheney.

 

Very few actors do as well as Christian Bale when it comes to immersing into a character, and his take on Dick Cheney in Vice is no exception. It is a knockout performance, but it is one that I wished were in a better movie.

The film begins by telling us that the makers of the film did the best they could since Cheney is such a private man. As is the case with most biopics nowadays, we get a bit of jumping back and forth thru points of history (though thankfully it is not too confusing). We see the beginning of the marriage of Dick and his wife Lynn (Amy Adams, who always does even better work when working with Bale), his meeting of Donald Rumsfeld (an oddly cast Steve Carrell), and his workings all the way to the post of VP to George W. Bush (Sam Rockwell).

The biggest flaw I feel the movie does it is goes for more exaggeration over realism. That is not to say some of the exaggerated parts aren’t funny (such as rolling credits a little too soon). I knew little about Cheney going in, but enough to know how much the man has suffered from heart problems over the years. Eventually, too many heart attack jokes can be pushing it.

Still, none of this takes away from the acting, and while most are well cast (even Tyler Perry does well as Colin Powell), it is clearly all to show more proof how ridiculously talented Christian Bale is as an actor. Yes, the make up department did a fabulous job, but acting is far beyond make up or even imitation. It is about connecting to one’s inner feelings, which Bale is always great at doing (though at some times, it seems he isn’t. This is not because he can’t, but because Cheney struggles to).

Parents, the movie is rated R for good reason, as it is filled with swearing and footage of violence. High School and up.

It seems that the only thing harder than playing Dick Cheney would be making a film about him. Director Adam Mckay (who won an Oscar for helping write 2015’s The Big Short) has given a movie that, even with a wonderful lead performance (and a nice post credit scene), seems a bit too off-putting.

 

Overall: Three and a Half Stars ***1/2

And the Oscar goes to…

And-the-Oscar-Goes-to

 

Honestly, I am tired of the whole Oscarssowhite talk going around (I too wish it was more diverse, but it is not all the Academy’s fault: I mean, there were not many performances to begin with, sadly). Why can’t we just acknowledge the nominees as they are?

I have been doing Oscar Contests since I was about 13, and have learned as I went along (I used to think it was ok to have ties in catagories). I am not saying I know all the answers, but if you want to win an pool you may be in, here are my picks in all catagories (and reasons why)…

For a list of all nominees, visit

http://www.imdb.com/awards-central/oscars?pf_rd_m=A2FGELUUNOQJNL&pf_rd_p=2348233542&pf_rd_r=0KC5ZWBP7PAY2XWABKNB&pf_rd_s=right-1&pf_rd_t=15091&pf_rd_i=main&ref_=ac_ac_ac_lk10

Best Picture

Picture

 

Truly, the biggest award of the night is also the biggest toss up of the night. The PGA awarded The Big Short while SAG awarded Spotlight and DGA The Revenant. Those three are the top three closest to the finish line.

Being that The Revenant also should be winning Best Director and Best Actor, I have it down as winning Best Picture. Still, it is going to be a photo finish, so don’t be surprised if it goes to the other two (or even Mad Max: Fury Road).

Will win: The Revenant (65 % sure)

Could win: Spotlight, The Big Short

Should win: Room (my favorite of the year)

 

Best Director

 

 

Director

Only twice in history has a director won Best Director two years in a row. Being that he just won his second consecutive DGA award (the first time that has ever happend), it seems best to say that Alejandro G. Innaritu will win again this year for The Revenant (the DGA award has predicted Best Director at the Oscars all but 5 times in over 50 years). If there was a spoiler, it would be my personal pick, George Miller, for his incredible work on Mad Max: Fury Road.

Will win: Alejandro G. Inarritu, The Revenant (95 % sure)

Could/Should win: George Miller, Mad Max: Fury Road

 

 

Best Actor

 

 

Actor.jpg

 

 

The wait is over. All who have been waiting for Leonard DiCaprio to win an Oscar will finally get to see the chance. Even one of his competitors, Eddie Redmayne, has stated he wants Leo to win. I would not be surprised if the other nominees felt the same way. It also helps that it is the best performance of the group. I personally can’t wait to see the standing ovation, and hear his speech.

Will win/Should win: Leonardo DiCaprio, The Revenant (100 % sure)

Could win: No one really, but if I had to pick, it would be Michael Fassbender, Steve Jobs

 

 

Best Actress

Actress

 

 

 

One of the reason’s I picked Room as my favorite movie of 2015 was the performance by Brie Larson. It is one that will go down in history, and an Oscar will only help it more. The only real threat is Saoirse Ronan in Brooklyn, proving she is still one of the best young actresses around.

Will win/Should win: Brie Larson, Room (95% sure)

Could win: Saoirse Ronan, Brooklyn

 

 

Best Supporting Actor

Supporting Actor

“CREED”: (L-r) SYLVESTER STALLONE as Rocky Balboa in “CREED.” Photo: Barry Wetcher / Warner Bros. Pictures

 

 

 

 

I am still a bit upset that Room’s Jacob Tremblay was overlooked, but all the five nominees give stellar performances. Still, none was more surprising or as heartfelt as Sylvester Stallone in Creed. Tom Hardy is probably the next closest, proving he is one of the best actors working today. Still, expect a win for Rocky.

Will win/Should win: Sylvester Stallone, Creed

Could win: Tom Hardy, The Revenant

 

 

Best Supporting Actress

Supporting actress

 

 

I must admit I was not a huge fan of The Danish Girl, but I was impressed by the great turn by Alicia Vikander. Despite other great performances in the catagory, I feel she will win. However, it would be kind of cool to see Kate Winslet win, mainly to see her and Leo holding Oscars next to each other.

Will win/Should win: Alicia Vikander, The Danish Girl (90% sure)

Could Win: Kate Winslet, Steve Jobs

 

Best Original Screenplay

 

Original Screenplay

While Inside Out was the most original film of the last few years, expect the win to go to Spotlight.

Will win: Spotlight (90%)

Could win: Straight Outta Compton

Should Win: Inside Out

 

Best Adapted Screenplay

Adapted Screenplay

 

Even if the film was very confusing at times, expect this award to go to The Big Short.

 

Will win: The Big Short (90%)

Could win/Should win: Room

 

Best Animated Feature

Animated

While I have heard great things about Anomalisa, I doubt anything is beating Inside Out.

Will win/Should win: Inside Out (95% sure)

Could win: Anomalisa

Best Forgein Language FilmForgein Language film

 

 

I have not seen any of the films, but I have heard nothing but good things about Son of Saul, a film I am hoping to see.

 

Will win: Son of Saul (85% sure)

 

Best Cinematography

Cinematography

 

It is rare for someone to win consecutive Oscars, so it is even rarer for someone to do so three times in a row. Still, that seems to be the case for Emmauel Lubezki, after winning two years ago for Gravity and last year for Birdman. Expect him to win again for The Revenant, unless they finally give one to Roger Deakins (for Sicario).

Will win/Should win: The Revenant (85% sure)

Could Win: Sicario

 

Best Film Editing

Film Editing

The fast paced, yet somehow smooth editing of Mad Max:Fury Road should win.

Will win/Should win: Mad Max: Fury Road (80% sure)

Could Win: Star Wars Episode VII The Force Awakens

 

Best Production Design

Production Design

Despite the awesome looking images of The Revenant and the realistic looks of Mars of The Martian, the futuristic deserts of Mad Max: Fury Road should drive away with it.

Will win/Should win: Mad Max: Fury Road (70% sure)

Could win: The Martian

 

Best Costume Design

Costume Design

Sandy Powell is up against herself for Carol, but her work in Cinderella is what is the best of the bunch.

Will win/Should win: Cinderella (75% sure)

Could win: Carol or The Danish Girl

 

Best Make-up/Hairstyling

Make-up

Another award for the outstanding Mad Max: Fury Road.

Will win/Should win: Mad Max: Fury Road (70% sure)

Could win: The Revenant

 

Best Original Score

Original Score

I am as big a fan of John Williams as anyone, and his work in Star Wars Episode VII The Force Awakens is more proof he is the best film composer ever. However, he has already won five Oscars while another legendary composer, Ennio Morricone, has yet to win a competitive Oscar (he won an Honorary one a few years ago). Like Dicaprio and Stallone, expect a standing ovation.

Will win: Ennio Morricone, The Hateful Eight (90% sure)

Could win/Should win: John Williams, Star Wars Episode VII The Force Awakens

 

Best Original Song

Original Song

I won’t lie: I am not a huge fan of any of the songs, but the best one, “Til it happens to you” from The Hunting Ground, should bring an Oscar to Lady Gaga and (finally) Diane Warren.

Will win/Should win: “Til it happens to you”, The Hunting Ground (75% sure)

Could win: “Writings on the Wall”, Spectre

Best Sound Editing

Sound Editing

I am still trying to find out the difference between Sound Editing and Mixing, but expect both to go to Mad Max: Fury Road.

Will win/Should win: Mad Max: Fury Road (80% sure)

Could win: Star Wars Episode VII The Force Awakens

 

Best Sound Mixing

Sound Mixing

See above. Don’t bet against a rock band on trucks.

Will win/Should win: Mad Max: Fury Road (80% sure)

Could win: Star Wars Episode VII The Force Awakens

 

Best Documentary Feature

Documentary

Will win: Amy (80% sure)

 

Best Documentary Short Subject

Documentary Short

Will win: Body Team 12 (50% sure, and not just because they look like Minions)

 

Best Animated Short Film

Animated Short

Will win: World of Tomorrow (45% sure)

 

Best Live Action Short Film

Short film

Will win: Ave Maria (30% sure)

Best Visual Effects

Special Effects

The Revenant had one amazing bear attack and Star Wars Episode VII The Force Awakens gave us more Star Wars brilliace. Still, the fact that Mad Max: Fury Road had very little CGI effects, which is why it should win.

Will win/Should win: Mad Max: Fury Road (75% sure)

Could win: Star Wars Episode VII The Force Awakens

The Big Short (2015)

THe Big Short

Steve Carrell and Ryan Gosling in “The Big Short”.

 

The Banking world has always confused me.

All talks about stocks, bonds, and mortages have always hurt my head. There is a lot of talk about those in The Big Short, but it is dumbed down just enough to keep someone as clueless to banking as me to be entertained (though I was still a little confused).

The first success of the film is the casting. Christian Bale stars as Michael Burry, who is a genius but socially awkward (we learn from a childhood accident). He is one of four outsiders who would go to determine the stock market crash that would be remembered as the worst since the great depression. The other three are Jared Vennett (Ryan Gosling, who also narrates the story), Mark Baum (Steve Carrell) and Ben Rickertt (Brad Pitt).

This is a hard movie to follow for some. Still, I am glad I stayed, because it is handled with wit, humor, and respect. It is no surprise the four recently mentioned actors give great performances (mainly Bale and Carrell). What surprised me the most was that this was from director Adam Mckay (mainly known for doing films like Anchorman: The Legend of Ron Burgandy and Talladega Nights: The Ballad of Ricky Bobby.) This is actually the first film he has made not to star Will Ferrell at all.

Parents, this does have some sexual themes/ nudity in it. There are two scenes in strip clubs. One at the beginning (very short) and one later on (which does go into detail, although the character goes there to talk about money, nothing else). There is also swearing. In short (no pun intended), the movie does deserve its R rating.

I will end by saying that one thing I enjoyed a lot about the film is that it knows a lot of people in the audience will be confused by the terms used. They solve this by simply bringing in random stars to explain them to us (I wish they used more). Who are these stars? I would never ruin that for you.

 

Overall: Three and a Half Stars *** 1/2